“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Sunday, January 25, 2015

Publication: THE WATCHED by Casey Hill

THE WATCHED (Simon & Schuster) is the fourth novel from wife-and-husband writing team Casey Hill to feature forensic investigator Reilly Steel. While the previous novels have been set in Ireland, Reilly returns home to the US for THE WATCHED. Quoth the blurb elves:
Quantico-trained forensic investigator Reilly Steel is back in the country of her birth. Unsure about both her future and her position within the Dublin police force, Reilly hopes that a relaxing stay at the Florida beach home of her old FBI mentor Daniel Forrest will help get her thoughts together. When Daniel’s son, policeman Todd Forrest, is called to the scene of a gruesome murder where the body of a beautiful woman has literally been torn in two, he is stopped in his tracks. Not just because of the grotesque and theatrical nature of the crime but because he recognizes the victim as Daniel’s goddaughter. In an attempt to find swift resolution on her old friend’s behalf, Reilly finds herself drawn into the investigation. And when another disturbing murder occurs soon after, Reilly can’t help but feel that she has come across something like this before. But where? The answer becomes apparent at a third crime scene - the killer is visually re-enacting some of the most famous murder scenes in screen history and posting his ‘work’ online for his followers and the whole world to see. Will the investigative team be able to find the murderer before his thirst for ‘screen immortality’ drives him to kill again? And will Reilly’s brief hiatus in the US force her into a decision about her future in Dublin, and the unfinished business she has there?
  For more on Casey Hill, clickety-click here

Saturday, January 24, 2015

Publication: GHOST FLIGHT by Mel Healy

GHOST FLIGHT is the latest offering in Mel Healy’s Moss Reid series, which concerns itself with “a gastronomic private eye whose main patch is around the Stoneybatter and Smithfield districts of Dublin.” To wit:
2008: The Irish economy is about to go belly up, and three Irish businessmen disappear in a light aircraft off the west coast of Ireland. There is no mayday message. No wreckage, no bodies, nothing.
  Six years later, Niamh McElhinney bumps into one of the missing men in the south of France. Then she, too, goes missing. Time to call Wilde & Reid Investigations …
  Stoneybatter private eye Moss Reid is back, in his most complicated case to date, as a slow journey down the Canal du Midi turns into a nightmare race to find a faceless killer.
  GHOST FLIGHT is the third in Irish writer Mel Healy’s series involving Moss Reid, the Dublin PI whose priorities in life are to “eat, drink and investigate – in that order”.
  For more on Mel Healy and Moss Reid, clickety-click here

Friday, January 23, 2015

One to Watch: ONLY WE KNOW by Karen Perry

The writing partnership Karen Perry (right) hit the ground running last year with a terrific debut psychological thriller, THE BOY THAT NEVER WAS, so I’m very much looking forward to seeing what they do with their follow-up offering, ONLY WE KNOW (Penguin). Quoth the blurb elves:
Kenya, 1982. The relentless sun beats down on the Maasai Mara. Three children, Nick, Luke and Katie, bored and hot, go down to the river alone. But when their innocent game by the banks of the river goes horribly wrong, their lives are changed forever and they are eternally bound by a shocking and suffocating secret.
  Dublin, 2013. Their secret is buried, but not forgotten, and when Luke goes missing in violent circumstances it becomes clear that their childhood mistakes have come back to haunt them . . .
  ONLY WE KNOW will be published on June 4.

Wednesday, January 21, 2015

News: Stuart Neville and Jane Casey Shortlisted for Edgar Awards

It’s a hearty CAP Towers congratulations to Stuart Neville and Jane Casey, both of whom were nominated for Edgar awards when the shortlists were announced early today, January 21st. Stuart’s THE FINAL SILENCE was nominated in the Best Novel category, while Jane’s THE STRANGER YOU KNOW was nominated for the Mary Higgins Clark Award. To wit:
Best Novel
This Dark Road to Mercy by Wiley Cash (HarperCollins Publishers – William Morrow)
Wolf by Mo Hayder (Grove/Atlantic – Atlantic Monthly Press)
Mr. Mercedes by Stephen King (Simon & Schuster – Scribner)
The Final Silence by Stuart Neville (Soho Press)
Saints of the Shadow Bible by Ian Rankin (Hachette Book Group – Little, Brown)
Coptown by Karin Slaughter (Penguin Randomhouse – Delacorte Press)

Mary Higgins Clark
A Dark and Twisted Tide by Sharon Bolton (Minotaur Books)
The Stranger You Know by Jane Casey (Minotaur Books)
Invisible City by Julia Dahl (Minotaur Books)
Summer of the Dead by Julia Keller (Minotaur Books)
The Black Hour by Lori Rader-Day (Prometheus Books – Seventh Street Books)
  For the full run-down of all Edgar categories and nominees, clickety-click here

Monday, January 19, 2015

Local Heroes: Philip Davison

We’re all familiar with the huge strides taken by Irish crime fiction over the past decade or so, but there were quite a few Irish authors writing crime / mystery / thriller novels before it was fashionable and / or (koff) profitable.
  Philip Davison (author, playwright and screenwriter, and currently a member of Aosdána) is one of them, possibly overlooked in terms of his contribution to Irish crime writing because the hero of his four spy novels, Harry Fielding, was an ‘understrapper’ for MI5.
  Davison published four novels with Fielding as his protagonist: THE CROOKED MAN (1997), MCKENZIE’S FRIEND (2000), THE LONG SUIT (2003) and A BURNABLE TOWN (2006). The reviews, such as those below for MCKENZIE’S FRIEND, were rather impressive:
“Chilly, elegant and disconcertingly comic. Rather like a collaboration between two notable Green(e)s – Graham and Henry – and quite safely described as original.” ~ Literary Review

“Davison shares Beckett’s knack for making the down-at-the-heel appear surreal.” ~ Times Literary Supplement
  THE LONG SUIT, meanwhile, was compared with John le Carré, Len Deighton and that man Graham Greene again. You get the picture: we’re in the realm of the literary spy thriller. THE LONG SUIT opens thusly:
“I had my own troubles, some of which I had addressed. When they lifted me my plan had been to go to ground, let time pass and be vigilant. Like a Druid, I had come to count nights instead of days. I watched Clements talking to somebody at the end of the corridor. He was loud, but I couldn’t make out the words. The lower jaw seemed to have just the one spring action. He was like a thirsty dog drinking from a water pistol …”
  For more on Philip Davison, clickety-click here

UPDATE: Mel Healy has a very nice appraisal of Philip Davison’s style (along with a tangent or two about his food consumption) over here

Saturday, January 17, 2015

One To Watch: THE DEFENCE by Steve Cavanagh

Steve Cavanagh’s ‘The Grey’ is one of the most impressive of the offerings in BELFAST NOIR, the new short story collection edited by Stuart Neville and Adrian McKinty, and it augurs well for THE DEFENCE (Orion), Steve’s debut novel, which will be published next March. Quoth the blurb elves:
The truth has no place in a courtroom. The truth doesn’t matter in a trial. The only thing that matters is what the prosecution can prove. Eddie Flynn used to be a con artist. Then he became a lawyer. Turned out the two weren’t that different. It’s been over a year since Eddie vowed never to set foot in a courtroom again. But now he doesn’t have a choice. Olek Volchek, the infamous head of the Russian mafia in New York, has strapped a bomb to Eddie's back and kidnapped his ten-year-old daughter Amy. Eddie only has 48 hours to defend Volchek in an impossible murder trial - and win - if wants to save his daughter. Under the scrutiny of the media and the FBI, Eddie must use his razor-sharp wit and every con-artist trick in the book to defend his ‘client’ and ensure Amy's safety. With the timer on his back ticking away, can Eddie convince the jury of the impossible? Lose this case and he loses everything.
  For more on Steve Cavanagh, clickety-click here

Thursday, January 15, 2015

One to Watch: JOHN LE CARRE: THE BIOGRAPHY by Adam Sisman

It won’t be published until October, unfortunately, but I’m very much looking forward to Adam Sisman’s biography of John le Carré, which will be published by Bloomsbury. To wit:
John le Carré is still at the top, more than half a century after The Spy Who Came in from the Cold became a worldwide bestseller. From his bleak childhood - the departure of his mother when he was five was followed by ‘sixteen hugless years’ in the dubious care of his father, a serial-seducer and con-man - through recruitment by both MI5 and MI6, to his emergence as the master of the espionage novel, le Carré has repeatedly quarried his life for his fiction. Millions of readers are hungry to know the truth about him. Written with exclusive access to le Carré himself, to his private archive and to many of the people closest to him, this is a major biography of one of the most important novelists alive today.
  I like the idea of the book promoting le Carré as ‘one of the most important novelists alive today’. All too often, when talking about le Carré, you hear that he’s a wonderful spy novelist, very likely the best of his kind and the man who spun literature from the Cold War conflict, but that the quality of his books has suffered in the Brave New post-Wall World. Stuff and nonsense, of course. As much as I love the Cold War novels, they were set during a period that to a large extent (and understandably so) characterised by a black-and-white, us-vs-them perspective. The latter work is far more fascinating, I think, ‘rooted’ as they are in the fertile but shifting sands of fluid conflicts, unlikely alliances and moral relativism.
  As for the idea that le Carré is a great spy novelist: he is, of course, but leaving at that is equivalent to saying that James Joyce was a dab hand at writing about Dublin, or METAMORPHOSIS is the finest possible example of a novel about bugs.
  As it happens, I’ve been on a bit of a le Carré binge this January: so far I’ve read OUR GAME, CALL FOR THE DEAD and SINGLE AND SINGLE. CALL FOR THE DEAD (1961) is a little out of place, of course, given that proceeds as far more a traditional investigation than le Carré would offer in later years (poignant to realise that the first character ever introduced in a le Carré novel, even before George Smiley puts in an appearance, is the perennially elusive Lady Ann Sercomb), but OUR GAME (1995) and SINGLE AND SINGLE (1999) both offer characters who are singularly and even self-destructively obsessed with achieving one good thing in a breathtakingly bleak and cynical world, despite their own awareness of how Pyrrhic their achievement might be. If fiction has more or better to offer than that particular kind of story, I really don’t know what it is. It helps, of course, that when it comes to the idea that character is mystery (to paraphrase John Connolly), le Carré delivers more value per line than any other writer I know.
  Here endeth my two cents. JOHN LE CARRE: THE BIOGRAPHY by Adam Sisman is published on October 22nd.

Wednesday, January 14, 2015

One To Watch: FREEDOM’S CHILD by Jax Miller

American-born, Irish-based, Jax Miller (aka Áine Ó Domhnaill) publishes her debut thriller, FREEDOM’S CHILD (Crown), later this year – although it’s fair to say that Jax / Áine has already had a rather storied publishing history. Quoth the blurb elves:
Freedom Oliver has plenty of secrets. She lives in a small Oregon town where no one knows much about her. They know she works at the local biker bar; they know she gets arrested for public drunkenness almost every night; they know she’s brash, funny, and fearless.
  What they don’t know is that Freedom Oliver is a fake name. They don’t know that she was arrested for killing her husband, a cop, twenty years ago. They don’t know she put her two kids up for adoption. They don’t know that she’s now in witness protection, regretting ever making a deal with the feds, missing her children with a heartache so strong it makes her ill.
  Her troubled past comes roaring back to her when she learns that her daughter—whom she only knew for two minutes, seventeen seconds before they took her away—has gone missing, possibly kidnapped. Freedom gets on a motorcycle, and heads for Kentucky, where her daughter was raised. No longer protected by the government, she is targeted and tracked by her husband’s sadistic family, who are eager to make Freedom pay for his death.
  Written with a ferocious wit and a breakneck pace, FREEDOM’S CHILD is about a woman who risks everything to make amends for a past that haunts her still.
  FREEDOM’S CHILD is published in June.

Saturday, January 10, 2015

News: Irish Crime Fiction at Trinity College

There’s a fascinating course on Irish crime fiction being taught in Trinity College these days, under the aegis of Professor Chris Morash and Dr Brian Cliff, titled – with breathtaking simplicity – ‘Irish Crime Fiction’. To wit:
“‘The detective novel’, wrote Walter Benjamin, ‘has become an instrument of social criticism’. This new co-taught seminar will explore perhaps the fastest-growing area of contemporary Irish literature, the Irish crime novel, considering its roots, its emphasis on crisis and change in a society, and its ability to distil and magnify a society’s obsessions. For these reasons, studies of Irish crime fiction are on the cusp of becoming a key strand in the study of contemporary Irish culture, here and abroad.”
  Authors under scrutiny include John Connolly, Declan Hughes, Tana French, Arlene Hunt, Benjamin Black, Eoin McNamee and Stuart Neville, with DOWN THESE GREEN STREETS playing its humble part as one of the establishing texts.
  For more, clickety-click here

Thursday, January 8, 2015

Publication: TAKEN FOR DEAD by Graham Masterton

Graham Masterton’s popular series featuring Cork-based garda detective Katie Maguire goes from strength to strength. The fourth in the series, TAKEN FOR DEAD (Head of Zeus), will be published on February 12th:
It is a sunny Saturday in county Cork, and an Irish wedding is in full swing. Drunk uncles are toasting the bride. The Ceilidh band have played for hours. But the cutting of the cake will bring the wedding to a horrifying end. For there, grinning gruesomely up from the bottom tier, is the severed head of the local baker. Katie Maguire, of the Irish Garda, does not have any leads - until another local businessman goes missing in horrific circumstances. The murders appear to link to The Kings of Erin, a terrifying gang of torturers and extortionists. But these are dangerous men. And they will stop at nothing to throw Katie off the trail ...
  For more on the Katie Maguire novels, clickety-click here