Best NovelFor the full run-down of all Edgar categories and nominees, clickety-click here …
This Dark Road to Mercy by Wiley Cash (HarperCollins Publishers – William Morrow)
Wolf by Mo Hayder (Grove/Atlantic – Atlantic Monthly Press)
Mr. Mercedes by Stephen King (Simon & Schuster – Scribner)
The Final Silence by Stuart Neville (Soho Press)
Saints of the Shadow Bible by Ian Rankin (Hachette Book Group – Little, Brown)
Coptown by Karin Slaughter (Penguin Randomhouse – Delacorte Press)
Mary Higgins Clark
A Dark and Twisted Tide by Sharon Bolton (Minotaur Books)
The Stranger You Know by Jane Casey (Minotaur Books)
Invisible City by Julia Dahl (Minotaur Books)
Summer of the Dead by Julia Keller (Minotaur Books)
The Black Hour by Lori Rader-Day (Prometheus Books – Seventh Street Books)
Showing posts with label Mary Higgins Clark. Show all posts
Showing posts with label Mary Higgins Clark. Show all posts
Wednesday
News: Stuart Neville and Jane Casey Shortlisted for Edgar Awards
It’s a hearty CAP Towers congratulations to Stuart Neville and Jane Casey, both of whom were nominated for Edgar awards when the shortlists were announced early today, January 21st. Stuart’s THE FINAL SILENCE was nominated in the Best Novel category, while Jane’s THE STRANGER YOU KNOW was nominated for the Mary Higgins Clark Award. To wit:
Thursday
Poe Is We, Part II: The Edgar Awards
The more eagle-eyed among you will have noticed that when I mentioned earlier in the week Jane Casey has been longlisted for a CWA ‘Dagger in the Library’ award, I neglected to mention she was also in the running for an Edgar award later this evening. Of course, that – in the grand tradition of the crime novel – was a classic case of dissimulation from an unreliable narrator, and not (koff) the schoolboy error it might appear on first glance.
But I digress. For lo! Jane Casey is shortlisted for an Edgar Award this evening in the Mary Higgins Clark category with THE RECKONING. And that’s not all – Alan Glynn is also shortlisted, this time in the Best Paperback Original category, for BLOODLAND. And – a muted trumpet parp there, maestro – BOOKS TO DIE FOR, edited by John Connolly and Declan Burke (and the wonderful Clair Lamb) is up for consideration in the Best Critical / Biographical category.
So there it is. It’s very satisfying indeed, I have to say, to be nominated for such a prestigious award, and in such august company too. The very best of luck this evening to everyone on the various shortlists, which can be found here.
UPDATE: News just in comes via Jane Casey, who tells me that Hank Phillippi Ryan won the Mary Higgins Clark gong, which was awarded last night. Hearty congrats to Hank …
UPDATE ON THE UPDATE: Woe is we, for lo! The Irish writers came away empty-handed from the Edgar Awards last night – unless we’re prepared to claim Dennis Lehane, who won Best Novel with LIVE BY NIGHT, and James O’Brien, who won the Best Critical / Biography category with THE SCIENTIFIC SHERLOCK HOLMES. Anyway, the heartiest of congratulations to all of the winners at the Edgars – the full list can be found here – and commiserations to everyone else. There is, as they say, always next year …
Sunday
On Gene Kerrigan, Agatha Christie And Quantum Mechanics
The latest of the Irish Times’ Crime Beat columns was published yesterday, and led off with a review of THE RAGE by Gene Kerrigan. To wit: THE RAGE (Harvill Secker, £11.99) is the fourth novel from journalist Gene Kerrigan, a serial chronicler of Dublin’s criminal underworld who was last year shortlisted for the CWA Gold Dagger, and was the winner of the Irish Book Awards’ crime fiction prize, for his previous offering, DARK TIMES IN THE CITY (2009). THE RAGE essentially blends two stories, that of Detective Sergeant Bob Tidey, who is investigating the apparent suicide of a banker of dubious morality, and that of Vincent Naylor, a low-level criminal recently released from prison with plans to move up in the world. That the men will eventually cross paths is inevitable, although it’s Kerrigan’s quality of gritty realism that renders THE RAGE an enjoyable page-turner as Tidey negotiates the blind alleys of a labyrinth constructed by officious judges, corrupt lawyers, and even his own superiors. Largely recession-proof (“Bob Tidey was in the law and order business, and whatever else went belly-up there’d always be hard men and chancers and a need for someone to manners on them.”), Tidey is an empathic character, pragmatic rather than idealistic, but what makes THE RAGE a compulsive document of post-Celtic Tiger Ireland is Tidey’s growing awareness that the moral anarchy that reigns at all levels of Irish society means that the old rules no longer apply, especially when it comes to enforcing a crude approximation of law and order, by any means necessary.Also reviewed are SJ Watson’s BEFORE I GO TO SLEEP, Erin Kelly’s THE POISON TREE, Mary Higgins Clark’s I’LL WALK ALONE, and Keigo Higashino’s THE DEVOTION OF SUSPECT X, which last I heartily recommend as an erudite, thought-provoking thriller. For the full column, clickety-click here …
Meanwhile, there was some interesting short-list nominations during the week.
Mind you, the only real surprise would have been had Tana French’s ubiquitous FAITHFUL PLACE (which has so far been short-listed for an Edgar, an Anthony and a LA Times book award this year) not made the Best Mystery list in the Macavity Awards. A less-trumpeted title, on these pages at least, is John Curran’s AGATHA CHRISTIE’S SECRET NOTEBOOKS: FIFTY YEARS OF MYSTERIES IN THE MAKING, a labour of love that contains no less than two unpublished Poirot short stories, and which pops up in the Best Mystery-Related Nonfiction section. Incidentally, the follow-up to SECRET NOTEBOOKS will be published in September under the title AGATHA CHRISTIE’S MURDER IN THE MAKING, all of which may or may not mean that Curran’s doctoral thesis on Christie, undertaken at Trinity College, Dublin, may or may not be on the backburner for now. For the full rundown of Macavity nominees, you know what to do …
Elsewhere, William Ryan beat off some stiff contenders (oo-er, vicar, etc.) to make the Theakston’s Old Peculier shortlist, a feat that’s all the more impressive when you consider that his novel, THE HOLY THIEF, is a debut offering. Another serial nominee, which has already been under consideration for Best Novel awards with the CWA and the Listowel Writer’s Week, THE HOLY THIEF will see its sequel, THE BLOODY MEADOW, published in September.
All of which means that William Ryan is very probably feeling rather pleased with himself right now, and deservedly so. For the full list of nominees, via Kiwi Crime, clickety-click here …Finally, those of you pining for the stentorian tones of the Dark Lord himself, John Connolly, should click on this interview with the Daily Telegraph, in which the HELL’S BELLS author waxes lyrical about hell, bells and why he was entitled to, and duly received, an apology from CERN for the quality of his understanding of quantum mechanics. Proper order, too …
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