“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, November 7, 2018

Publication: IN THE GALWAY SILENCE by Ken Bruen

Ken Bruen, aka the Godfather of Irish Noir, publishes IN THE GALWAY SILENCE (Head of Zeus) on November 1st, the 14th in the Galway-set Jack Taylor series. Quoth the blurb elves:
After too much tragedy and violence, Jack Taylor might have at long last found contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon, unless you count looking after his girlfriend’s spoilt nine-year-old.
  But once again, trouble comes to him, this time in the form of wealthy Frenchman Pierre Renaud, who wants Jack to investigate the double-murder of his twin sons. Entitled, drug-addled, les enfants terribles were bound to a wheelchair, mouths glued shut and pushed off the pier.
  He shouldn’t, but Jack reluctantly agrees to investigate and it opens the door to the past again ...
  For more on Ken Bruen, clickety-click here

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