Olivia Kiernan’s debut TOO CLOSE TO BREATHE introduces Det Chief Supt Frankie Sheehan, who investigates the death of Eleanor Costello, a woman discovered hanged in her home and initially believed to have killed herself before Sheehan’s sharp eye detects anomalies that result in a murder investigation. Delivered in propulsive, minimalist prose, Sheehan is precisely the kind of gruff, no-nonsense cynic you’d want investigating your own murder. TOO CLOSE TO BREATHE is an exhilarating police procedural, not least because Sheehan is a complex, layered character who, suffering from PTSD after a frenzied knife attack that left her physically and psychologically scarred, declares herself “a living token of the murder. Proustian memory. I’m a direct path of access to the thrill of the kill.” Noir in tone (“We’re all the murdering kind, given the right motivation,” Sheehan’s superior tells her), and sharply observed – “hard-looking rusted metal furniture stands like a lonely family in the corner” – TOO CLOSE TO BREATHE reads like a hard-boiled take on Tana French and immediately establishes Olivia Kiernan as a talent to watch. ~ Declan BurkeThis review was first published in the Irish Times.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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