Freedom Oliver has plenty of secrets. She lives in a small Oregon town where no one knows much about her. They know she works at the local biker bar; they know she gets arrested for public drunkenness almost every night; they know she’s brash, funny, and fearless.FREEDOM’S CHILD is published in June.
What they don’t know is that Freedom Oliver is a fake name. They don’t know that she was arrested for killing her husband, a cop, twenty years ago. They don’t know she put her two kids up for adoption. They don’t know that she’s now in witness protection, regretting ever making a deal with the feds, missing her children with a heartache so strong it makes her ill.
Her troubled past comes roaring back to her when she learns that her daughter—whom she only knew for two minutes, seventeen seconds before they took her away—has gone missing, possibly kidnapped. Freedom gets on a motorcycle, and heads for Kentucky, where her daughter was raised. No longer protected by the government, she is targeted and tracked by her husband’s sadistic family, who are eager to make Freedom pay for his death.
Written with a ferocious wit and a breakneck pace, FREEDOM’S CHILD is about a woman who risks everything to make amends for a past that haunts her still.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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