“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label David Simon. Show all posts
Showing posts with label David Simon. Show all posts

Tuesday, March 23, 2010

Appy Bird-Day To Daggy; and John Connolly Goes Posh

This morning I woke to breakfast in bed (well, coffee) served by the Lovely Ladies (right) and a rousing rendition of ‘Appy bird-day to Daggy’ courtesy of the Princess Lilyput. I may never have a finer morning again. I’ll leave the existential ruminations on turning 41 to another day, and just say ta kindly to everyone who’s been in touch with good wishes. Much obliged, folks.
  Meanwhile, a rare birthday treat awaits me later tonight, when the Dark Lord, aka John Connolly, is the subject of an Arts Lives documentary on RTE TV. Swish stuff – surely it’s only a matter of time before Connolly is elected to (koff) Aosdána. Anyway, I’ve seen the trailer, in which Connolly claims that evil exists, not as an entity but as the absence of empathy, which is a fascinating concept, and Connolly’s natural gift as a raconteur suggests that the documentary could well be a cracker. Quoth the blurb elves:
Shot in Dublin, Maine, Baltimore and Washington, John Connolly: Of Blood and Lost Things traces 40-year-old Connolly’s literary trajectory from jobbing freelance with The Irish Times newspaper to publishing superstardom on the sale of his first novel, Every Dead Thing, which launched his flawed protagonist, P.I., Charlie (Bird) Parker. The roots of the novel and its location go back some years to his coverage for the Irish Times of the murder of Sri Lankan prostitute Belinda Perreira in Dublin and a student summer spent in Portland, Maine … Featuring dramatised readings from his work John Connolly: Of Blood and Lost Things examines the sense of place and atmosphere in Connolly’s work but also includes a biographical narrative of his Dublin childhood and journey toward becoming a writer. The documentary features interviews with iconic American crime writer George Pelecanos; David Simon, creator of TV’s The Wire; American novelist and friend Laura Lippman, and fellow Irish crime writer Declan Hughes.
  Nice. The documentary goes out at 10:15pm tonight (Tuesday) on RTE1; if you happened to miss it, it’ll be available on the RTE iPlayer for three weeks after the broadcast date. Enjoy …

UPDATE: John Connolly’s THE GATES has just been nominated for the Bisto Children’s Books Ireland Book of the Year, with Bob ‘No Relation’ Burke’s THE THIRD PIG DETECTIVE AGENCY nestling in there snugly too. Nice one, chaps ...

Tuesday, August 19, 2008

Around The Web In 80 Seconds*

Crumbs! There’s nothing like eBay to give you a sense of perspective. An ARC of THE BIG O just went over there for $3, which is a long, long way from the heady heights of the $195.36 it was selling for on Amazon not so long ago. Talk about a credit crunch …
  Anyhoos, on with the more interesting stuff. Over at The Blog of Revelations, Peter Murphy reports that David Simon will be in Dublin on September 19 for a special screening of The Wire, which will be followed by a public interview. Jump on this for all the details
  Brian McGilloway’s BORDERLANDS hits the U.S. shelves this week, and Brian’s blogging his heart out over at Moments in Crime all week, with today’s instalment concerning itself with why he picked up the quill in the first place. To wit:
“It was as a fan of these series that, four or five years ago, I had a strong sense that many of them were nearing an end: Rebus was reaching retirement; Morse had died; Robicheaux thought he was taking a heart attack in LAST CAR TO ELYSIAN FIELDS. I decided that, in case these series should stop, I would need a new book to read, featuring that sense of place and central character linked. And so I wrote BORDERLANDS …”
  Which is nice. Meanwhile, over at the Book Witch’s impossibly glamorous lair, the Witch is talking up Oisín McGann’s SMALL-MINDED GIANTS, which Eoin Colfer recommended to her. Quoth la Witch:
“The cover of SMALL-MINDED GIANTS says this is a book for older readers, and there may be some truth in this. It’s a violent story, in a way, and the future looks bleak. Oisín has written a thriller with lots of action, and none of the clever gadgets or the backup that Alex Rider enjoys.”
  If it’s good enough for Eoin Colfer and the Witch, it’s good enough for us. Finally, Sam Millar gets in touch to let us all know that BLOODSTORM has reached American shores, complete with a funky new cover, and that the early reviews have been very positive indeed. First our good friends at Publishers Weekly:
“BLOODSTORM is the first in a powerful new crime series from Irish author Millar. Extremely original, it is a chillingly gripping book, and the consistently tough prose should help gain Millar more fans in the U.S. with a taste for the hard-boiled.”
  Nice. And then there’s the folk at Booklist:
“Irish crime writer, Sam Millar (THE REDEMPTION FACTORY) is back with a brand new anti-hero, Karl Kane … crime noir doesn’t get much darker or grittier than this shocking tale of corruption and revenge …”
  Nicer still. We’ve said it before and we’ll say it again – it’s always Millar time at Crime Always Pays.

* Providing you don’t click any of the links, of course