“There’s been an upsurge in several kinds of Irish fiction .... Crime fiction is a small part of that. Perhaps it has something to do with increased confidence, a realisation that there are more possibilities than there used to be. Look around at what’s happening – you’re sitting in a pub and a guy walks in with a balaclava on, gun in hand – everyone knows that can happen in any Dublin pub any day of the week. How can you be a writer and not want to deal with that through fiction?”There’s one man whose acquaintance I’m looking forward to making this weekend, although maybe I’ll skip the traditional get-to-know-you pint if he suggests a swift one down his boozer. Anyhoos, for much more on the same theme, jog on over to the Evening Herald’s interweb malarkey …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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