When Sylvia looks out her bedroom window at night and sees a child face down in the pond next door, she races into her neighbour’s garden. But the pond is empty, and no-one is answering the door.For more on Andrea Mara, clickety-click here …
Wondering if night feeds and sleep deprivation are getting to her, she hurriedly retreats. Besides, the fact that a local child has gone missing must be preying on her mind. Then, a week later, she hears the sound of a man crying through her bedroom wall.
The man living next door, Sam, has recently moved in. His wife and children are away for the summer and he joins them at weekends. Sylvia finds him friendly and helpful, yet she becomes increasingly uneasy about him.
Then Sylvia’s little daughter wakes one night, screaming that there’s a man in her room. This is followed by a series of bizarre disturbances in the house.
Sylvia’s husband insists it’s all in her mind, but she is certain it’s not - there’s something very wrong on the other side of the wall.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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