Christmas 1939. In Europe the Phoney War hides carnage to come. In Ireland Detective Inspector Stefan Gillespie keeps tabs on Irishmen joining the British Forces. It’s unpleasant work, but when an IRA raid on a military arsenal sends Garda Special Branch in search of guns and explosives, Stefan is soon convinced his boss, Superintendent Terry Gregory, is working for the IRA.It’s a beautifully realised historical mystery, a blend of police procedural and spy novel, the story split between WWII Ireland and post-Civil War Spain. THE CITY IN DARKNESS was published on October 3rd; for more on Michael Russell, whose ‘City’ novels have previously been nominated for the CWA awards, clickety-click here …
At home for Christmas, Stefan is abruptly called to Laragh, an isolated mountain town. A postman has disappeared, believed killed, and Laragh’s Guards are hiding something. Stefan is the nearest Special Branch detective, yet is he only there because Gregory wants him out of the way?
Laragh is close to the lake where Stefan’s wife Maeve drowned years earlier, and when events expose a connection between the missing postman and her death, Stefan realises it wasn’t an accident, but murder. And it will be a difficult, dangerous journey where Stefan has to finally confront the ghosts of the past in the mountains of Wicklow, before he can return to Dublin and the truth of his boss’s duplicity.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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