An Evening with Anthony Quinn and William RyanFor all the details, clickety-click here …
Friday, November 4 at 6:30 PM
No Alibis
83 Botanic Avenue, BT7 1, Belfast
Anthony Quinn is an Irish writer and journalist. His debut novel Disappeared was shortlisted for a Strand Literary Award in the United States. It was also listed by Kirkus Reviews as one of the top ten thrillers of 2012. After its UK publication in 2014, Disappeared was selected by the Daily Mail and the Times as one of the best novels of the year. It was also long-listed for the Theakston's Old Peculier Crime Novel of the Year. His short stories have twice been shortlisted for a Hennessy/New Irish Writing award. Anthony will be chatting about and launching his latest Celcius Daley novel, Trespass.
William Ryan is an Irish writer living in London. His first novel, THE HOLY THIEF, was shortlisted for the Theakstons Crime Novel of the Year, The Kerry Group Irish Fiction Award, The CWA John Creasy New Blood Dagger and a Barry Award. His second novel, THE BLOODY MEADOW, was shortlisted for the Ireland AM Irish Crime Novel of the Year. William teaches on the Crime Writing Masters at City University in London. His latest novel The Constant Soldier has been described by AL Kennedy as “a nuanced, complex and gripping tale of guilt and love that captures the chaos at the end of World War Two”.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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