“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, December 2, 2008

On Equal Writes For Wimmin

I recently interviewed four Irish female crime writers – Ruth Dudley-Edwards (right), Arlene Hunt, Alex Barclay and Ingrid Black – for the Sunday Independent about being, y’know, crime writers who are Irish and women. Anyhoos, one of the questions was about why Irish crime writing has so far been dominated by men. Quoth ‘Cuddly’ Dudley-Edwards:
“It may be that Irish crime fiction is dominated by men because so far, it has tended toward the noir,” suggests Dudley-Edwards. “Certainly, very many of the most famous names in classical English crime fiction are female: Agatha Christie, Margery Allingham, Dorothy Sayers, PD James, Ruth Rendell. Indeed Reginald Hill has a story of being at a cultural event in France where an earnest man rose to ask why most of the writers of the Golden Age [the Thirties] of detection were women. ‘Because,’ explained Reg, ‘all the men were dead.’”
  Oh, and Arlene Hunt is adamant that women no longer need fainting couches. For the rest, clickety-click here.

3 comments:

Anonymous said...

You're just trying to make up for your pro male writers comment the other day, aren't you?

Declan Burke said...

You do me too much credit, Ms Witch - I'm just a hypocrite, that's all.

Cheers, Dec

adrian mckinty said...

They can do what they like just as long as the dinner's on the table. That's what I say.