“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, August 29, 2007

The Popcorn Interlude # 174: Disturbia

Is the world ready for a teen take on Rear Window? Placed under house arrest for decking his teacher, Kale (Shia LaBeouf, right, with Carrie-Ann Moss) spends his summer spying on his neighbours – first the gorgeous newcomer to his neighbourhood, Ashley (Sarah Roemer), then the creepy guy next door (David Morse), who may or may not be a serial killer. An inventive remake, Disturbia owes a huge debt to LaBeouf’s sparky performance – fresh-faced he may be, but LaBeouf (Transformers, A Guide To Recognising Your Saints) has a natural style free of affectations that suggests he’s a serious prospect for the future. Director DJ Caruso (a veteran helmer of TV’s The Shield) ratchets up the tension gradually, leaving plenty of time for the romance between Kale and Ashley to blossom, and even if the final third recycles overly familiar slasher-horror tropes, this is still a cut above the usual teen fare. ****- Michael McGowan

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