In these fractious publishing times, normally publishers espouse the belief that if a book doesn’t hit the list within at least the first two weeks of its initial publication, it never will. It’s not an absolute, of course – nothing is – but more and more, publishing resembles the movies in terms of books “opening big” on bestseller lists thanks to pre-orders, co-op and other machinery in place months before publication.And if all that isn’t lovely enough to give you a fuzzy warm feeling, here’s a few words Tana deigned to bestow on the roving reporter elves before she became a literary superstar. She’s nice like that …
So imagine my surprise at checking the New York Times hardcover fiction bestseller list dated September 2nd and seeing Irish crime writer Tana French’s debut novel In The Woods sneak in just under the wire, landing at #35 on the extended list. The book was published by Viking on May 17. It had, at least to the best of my knowledge, not been given extra co-op nor garnered some major media attention. Could this be a case of pure word-of-mouth, where readers who genuinely liked the book recommended it enthusiastically to their friends in chain-reaction fashion propelled a first novel to the bestseller lists months after its release date?
Yes and no, as French’s editor Kendra Harpster said in an email late yesterday afternoon. “I do think that word of mouth has played a part here,” she said. “Nearly everyone I mention the book to, even non-publishing people, have heard something about it, which is definitely unusual for a first novel by a non-American.” But Harpster also pointed to a recent mention on NPR by Librarian to the Stars Nancy Pearl and more importantly, to the book’s selection by Barnes & Noble for its Discover New Voices program, which put it into their store promotions beginning early August and running through the end of October. So in the end, media and co-op did play a major role for In The Woods, but that can happen to many books – and still not enough copies will sell to get that “NYT bestseller” tag.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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