“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – Booklist. “Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville.

Saturday, January 10, 2015

News: Irish Crime Fiction at Trinity College

There’s a fascinating course on Irish crime fiction being taught in Trinity College these days, under the aegis of Professor Chris Morash and Dr Brian Cliff, titled – with breathtaking simplicity – ‘Irish Crime Fiction’. To wit:
“‘The detective novel’, wrote Walter Benjamin, ‘has become an instrument of social criticism’. This new co-taught seminar will explore perhaps the fastest-growing area of contemporary Irish literature, the Irish crime novel, considering its roots, its emphasis on crisis and change in a society, and its ability to distil and magnify a society’s obsessions. For these reasons, studies of Irish crime fiction are on the cusp of becoming a key strand in the study of contemporary Irish culture, here and abroad.”
  Authors under scrutiny include John Connolly, Declan Hughes, Tana French, Arlene Hunt, Benjamin Black, Eoin McNamee and Stuart Neville, with DOWN THESE GREEN STREETS playing its humble part as one of the establishing texts.
  For more, clickety-click here

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