“Prose both scabrous and poetic.” – Publishers Weekly. “Proust meets Chandler over a pint of Guinness.” – Spectator. “A sheer pleasure.” – Tana French. “Among the most memorable books of the year, of any genre.” – Sunday Times. “A hardboiled delight.” – Guardian. “Imagine Donald Westlake and Richard Stark collaborating on a screwball noir.” – Kirkus Reviews. “A cross between Raymond Chandler and Flann O’Brien.” – John Banville. “The effortless cool of Elmore Leonard at his peak.” – Ray Banks. “A fine writer at the top of his game.” – Lee Child.

Thursday, March 13, 2008

Cecilia, You’re Breaking Our Hearts

The Irish Independent carried a piece last weekend previewing the Dublin Book Festival, the gist of which ran thusly:
‘Aspiring Irish writers hoping to follow in the footsteps of Cecilia’
Speaking ahead of this weekend’s Dublin Book Festival, Sean O’Cearnaigh, President of the Irish Book Publishing Association, said that the market was alive and well here. “It’s certainly in a state of change, but publishers here have around 15pc of the market of books that are on sale in shops at the moment.” And the success of the market is all down to the talent of Irish writers, he added. “Irish writers are our secret weapons,” he explains. “We have everything from big writers to chick-lit authors to sports writers. There is a lot of talent. We have a lot of up-and-coming writers coming through as well, writers who have their finger on the pulse. Ireland is changing a lot and it’s just a matter of reflecting that, which many of the writers do.”
  And these writers with their fingers on the pulse, reflecting a changing Ireland? Declan Hughes, Arlene Hunt, Ken Bruen, Brian McGilloway, Ingrid Black, et al … They, unfortunately, were all too busy beavering away reflecting a changing Ireland to get along to the Festival. In fact, no Irish crime writer could tear him or herself away from the desk long enough to give a talk or attend a panel, lest removing their fingers from the pulse for even a moment might result in a national tragedy. The Festival did, of course, have a panel of true crime writers talking about crime and Ireland, but for the most part these were crime journalists promoting one-off books about a specific crime.
  Crime fiction writers? Pshaw, sir! Fie! And this despite the fact that the big news stories in Ireland over the last month were the brutal murder of two Polish men in Dublin; the ongoing farce in which an taoiseach (aka prime minister) Bertie Ahern attempts (and largely fails) to explain to a tribunal his, erm, idiosyncratic accounting procedures back when he was Minister for Finance; the largest drug haul in the history of the State; the murder of a young mother by her husband, who allegedly modelled his modus operandi on that of a previous killer; etc., ad nauseum. In other words, anyone writing fiction in Ireland today who is not dealing with crime is writing escapist fiction.
  And yet, if you walk into any Dublin bookstore today (other than the wonderful Murder Ink on Dawson Street), you’ll be faced with a bank of James Patterson’s 7TH HEAVEN, which is the worst apology for a sick monkey of a half-arsed first draft the Grand Vizier can remember reading. ‘Fingers on the pulse’, eh? Meanwhile, the Cecilia in whose footsteps Irish writers are hoping to follow? That’ll be the ever-lovely Cecilia Ahern (right), a creator of women’s fiction so insubstantial, frothy and sickeningly sweet that cotton candy may yet sue. Who just so happens to be the daughter of an taoiseach (aka prime minister) Bertie Ahern, who is attempting (and largely failing) to explain to a tribunal his, erm, idiosyncratic accounting procedures, etc., ad nauseum.
  Laugh? We nearly emigrated.

7 comments:

Twenty Major said...

James Patterson’s 7TH HEAVEN, which is the worst apology for a sick monkey of a half-arsed first draft the Grand Vizier can remember reading

hah, I was reading about him in the Sunday Times a few weeks back. What a nice gig he's got. Sketch out a story, get some Joe to flesh it all out.

I remember reading a book of his where they found some bird children who had wings and laid eggs. He must be laughing all the way to the bank.

As for Cecilia - Ireland really does have a massive chick-lit market. Is this an Irish phenomenon or is it the same in other countries?

Declan Burke said...

Twenty - 7th Heaven is shite up a hairy stick.

As for 'chick-lit' - the preferred nomeclature, sir, is 'women's fiction', so less of your condescending flummery, if you will. As for it being an Irish phenomenon - it's big in the UK too, but I don't know if it translates anywhere else. And I really don't care. I got halfway down the page of one of those books, only for the heroine to ask a question 'questioningly' ... Personally, I blame the editors. Cheers, Dec

Critical Mick said...

GOD BLESS CHICK LIT.

http://www.criticalmick.com/criticalmick_john_mackenna_transcript.htm

Contrary shit-stirring bastard,

Mick

Patricia J. Hale said...

"shite up a hairy stick" and "Contrary shit-stirring" - you guys sure know how to twist a phrase!

Uriah Robinson said...

I love your blog Declan it's a great fun read when I start to despair about conditions in England and OUR gutless self serving politicians.

norby said...

Unfortunately chick lit is a big thing here in the US as well. Apparently, since I'm female, I'm supposed to want to read it. Just as soon as I'm done vomiting thank you.

Peter said...

I thought the U.S. was the world headquarters of chick lit. In fact, a certain newspaper in a certain city in the Mid-Atlantic region has commissioned a female crime author to write a weekly column. The column's title? Chick Wit.

I am not making this up.
==============
Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
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