“Engrossing. . . . Durcan doesn’t offer any easy answers in this searching, meticulously observed novel of moral complexity. He does offer plenty to think about.” — Toronto StarSo, there you have it. Liam Durcan. GARCIA’S HEART. Make yourself happy, people …
“Lucid and subtle. . . . Durcan has crafted an entertaining and convincing portrayal of a man awkwardly perched atop a precipice of identities and histories on the verge of collapse.” — Montreal Review of Books
“Stunningly well-written. . . . Durcan writes the way one imagines a brain surgeon employs his tools — with strength to cut through bone and feather-light delicacy to excise minute strands of tissue. Durcan’s style is a mixture of precision and playfulness, irony and moral seriousness reminiscent of British master Ian McEwan, or even a slightly restrained Martin Amis … A remarkable accomplishment.” — Winnipeg Free Press
“With this remarkable debut novel, Liam Durcan … has firmly ensconced himself within the hallowed ranks of doctors making successful forays into literature, a line running straight from Chekov through William Carlos Williams and W. Somerset Maugham to, most recently, Scotiabank Giller Prize winner Vincent Lam. . . .There are evocations of Ian McEwan’s SATURDAY here . . . Durcan beats McEwan at his own game by resisting the tendency to show off and, in doing so, produces a restrained, artfully paced work built around its central ethical question, which is not so much “what is evil?” as “what, exactly, is the nature of good?” — Quill & Quire (starred review)
“Like a cross between John le CarrĂ© and Ian McEwan – GARCIA’S HEART, treads the line between an elegant, elegiac novel of ideas and a sophisticated political thriller. It was exciting, intellectually compelling, and beautifully written. It was also that rarest of books: A literary work with an intensely humanistic core. I am so happy to have discovered Liam Durcan; he will be a major writer for years to come.” — Pauls Toutonghi
“Eloquent and haunting, GARCIA’S HEART fearlessly explores the moral ambiguities of the modern world. Durcan demonstrates his supreme versatility with this psychologically penetrating, technically assured, yet empathic and human portrait of a man struggling to come to terms with a terrible angel.” — Eden Robinson,
“In his debut novel, Liam Durcan skilfully performs complex forensic procedures: autopsies on mysteriously damaged hearts, brain scans on characters whose deepest thoughts remain beyond diagnosis. Throughout, Durcan writes with operating room precision. A grim, gripping, confident, and provocative book.” — Steven Heighton
“Liam Durcan raises complex and important issues in GARCIA’S HEART, exposing the frailty of human nature against the background of medical science. It’s an intelligent book, thought-provoking and satisfying — a meditation on the workings of the mind. I found myself thinking about it for a long time afterwards.” — Clare Morrall
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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