“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label philosophy of crime fiction. Show all posts
Showing posts with label philosophy of crime fiction. Show all posts

Tuesday, June 10, 2008

JC: Big Questions, Small Answers

There was a nifty little interview with John Connolly in the Atlanta Sunday Paper, in which JC (right) waxed philosophical on the profundity inherent in crime fiction. To wit:
“Crime fiction is a really conservative genre; there’s no miscegenation in crime fiction. And that’s really odd to me. If you read a lot of crime fiction, issues of redemption and salvation arrive again and again. And there’s a kind of possibility of a kind of spiritual interpretation as well: If we live in a godless universe, would you live a moral life?”
It’s a yes or no answer, folks, on the back of a used twenty to the usual address …