“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label The Iliad. Show all posts
Showing posts with label The Iliad. Show all posts

Thursday, October 30, 2008

On The Essential Relevance Of Crime Fiction

Mack Lundy (right) was kind enough to drop by and blow smoke up my fundament re: a recent piece I wrote for Crime Always Pays. Quoth Mack:
“I believe that crime / mystery fiction can be a vehicle for presenting morality, ethics, good, evil, innocence, sacrifice, moreso than Literature with a capital L. I would like to know why you think crime / mystery fiction ‘is inarguably the most relevant and important fiction out there.’ Perhaps you could touch on it in a future post on Crime Always Pays. Your readers would be interested and it would stimulate interesting discussion.”
  Mack, bless his cotton socks, wildly overestimates (a) the number of CAP readers; (b) their ability to stimulate discussion, interesting or otherwise; and (c) the miniscule amount of reaction anything I might have to say might generate.
  Happily, his email coincided with a piece I wrote for the Sunday Independent last weekend, which touched on the importance and / or relevance of crime fiction, and why I believe that if journalism is the first draft of history, crime fiction is its second.
  Even though I don’t touch on this in the piece, I should probably add that crime fiction is the most important kind of fiction out there simply because it speaks to the greatest number of readers. If anyone doubts that, do the math.
  Anyhoos, on with the show …
How Crime Novels Reveal Truths About Our Dark Age

ARGUABLY the most seductive, and perhaps even compelling, aspect of contemporary crime fiction is its relevance. As with the best journalism, the best crime writing speaks to us of where we are now and how we are coping with the indignities that assault our notions of civilisation. Rape, for example, has been with us in fiction since THE ILIAD, although Homer tended to celebrate his triumphalist male protagonists and gloss over how a woman might feel about being subjected to such gross violation.
  It’s in the realms of modern crime fiction that you will find rape’s most authentic documentation …
  For the rest, clickety-click here