“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label Spinetingler. Show all posts
Showing posts with label Spinetingler. Show all posts

Saturday, March 10, 2012

Down These Teen Streets

You’d have to feel sorry for the Belfast Tourist Board. Just when things are starting to look up for the city, along comes the likes of Colin Bateman, Adrian McKinty and Stuart Neville with their gritty ‘n’ grimy crime novels to lower the tone all over again. Not helping matters in the slightest is one Gerard Brennan, who has made the leap from dedicated blogger to fully fledged author with his debut novel, WEE ROCKETS, which concerns itself with teenage tearaway Joe Philips and his criminal tendencies. Herewith be a sample:
Chapter 1

The streets of Beechmount stank of wet dog. The effect of drying rain in early summer. Light faded from the West Belfast housing area. Joe Philips yawned and slumped against the redbrick alley wall. Half past ten at night. He wanted to be in bed, cosy and watching a DVD until he drifted off to sleep. But he was the leader. The rest of the gang expected him to be there.
  At least it was holiday time. No school to mitch in the morning. He popped his head around the corner and glanced down the avenue.
  “I see one,” he said.
  They all looked up to him. Literally. In the last few weeks he’d taken what his ma called a growth spurt. He’d use his share of tonight’s money to buy longer trousers. Too much white sock showed between his Nike Air trainers and his Adidas tracksuit bottoms.
  “Anyone else about?” Wee Danny Gibson asked. He snubbed a half-smoked fag on the alley wall and tucked the butt behind his ear.
  “No, just the aul doll. Easy enough number.”
  Wee Danny nodded and the rest of the gang twitched, murmured and pulled hoods up over lowered baseball caps. Ten of them in all, not one above fourteen years old.
  “Right, let’s go,” Joe said.
  They spilled out of the alley and surrounded the blue-rinse bitch like a cursing tornado. She screamed, but they moved too fast for the curtain-twitchers to react. Broken nose bleeding, she dropped her handbag and tried to fend off kicks and punches. Wee Danny scooped it up and whistled. They split in ten different directions. The old granny shrieked at them. They were gone before any fucker so much as opened his door …
  For a longer excerpt, clickety-click here
  Incidentally, Gerard Brennan’s novella THE POINT won the prestigious Spinetingler award for Best Novella of 2011. For more, clickety-click here

Saturday, July 4, 2009

“I Feel Uneasy If I’m Not Writing Or Thinking About Writing.”

The always welcome Spinetingler Magazine made its latest appearance earlier this week, and features an interview yours truly conducted with Brian McGilloway, an excerpt from which runneth thusly:
Brian McGilloway: “I’ve always loved writing and that in itself has been a compulsion for some time. I feel uneasy if I’m not writing or thinking about writing. My passion for crime fiction came first as a reader. I initially came to crime following my English degree, mistakenly thinking that crime fiction would be light in comparison with the literary texts I’d been studying. Then, as I read more and more crime fiction, I realised how wrong I had been.
  “The novels which appealed to me most strongly – by writers like James Lee Burke, Ian Rankin, Michael Connelly, Dennis Lehane, John Connolly – were those which contained not only compelling plots and strong central characters, but also a strong sense of place and, I suspect most importantly, a strong sense of humanity. As I wrote myself, I realised that the genre was one in which I could explore my own concerns and develop my own style.”
  For the rest, clickety-click here

Wednesday, February 6, 2008

The Embiggened O # 2,049: Our Spinal Tap Moment

Sandra Ruttan at Spinetingler Magazine was kind enough to review our humble offering THE BIG O, and once we winkled out all the quibbles, ho-hums and snorts of disbelief that to our mind rather ruined the overall effect, we were left with the following, to wit:
“Burke shows remarkable skill at weaving a complex story from multiple points of view and pulling the strands together in an engaging fashion, and he clearly has the genius required to pull off a large-scale story … The emphasis is not on technical accuracy in terms of police procedure or organized crime. Capers are wild stories with a humorous edge, and THE BIG O delivers in spades, so plan for a healthy chunk of time, kick back with a few margaritas and indulge in Burke’s dark comedy – this is an author with a lot of promise, well worth taking note of, and I’m looking forward to his next book.”
Incidentally, eagle-eyed readers will have noted that Declan Burke is lined up to contribute to Sandra Ruttan’s new website At Central Booking, which yet again raises the spectre of bias, log-rolling and generalised back-scratchery. For more on this topic, jump here and here.