“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label National Library of Ireland. Show all posts
Showing posts with label National Library of Ireland. Show all posts

Monday, December 12, 2011

I Dreamt I Dwelt In Hallowed Halls

Off I go this morning to the hallowed halls of Trinity College, Dublin (right), where I’ll be sitting down in the company of some unsuspecting students to chat about ABSOLUTE ZERO COOL in particular and Irish crime writing in general. Which should be fun, not least because the occasion will be hosted by Professor Ian Campbell Ross, who wrote the comprehensive introduction to DOWN THESE GREEN STREETS: IRISH CRIME WRITING IN THE 21st CENTURY. I thought I knew a thing or two about Irish crime writing before I read Professor Ross’s introduction, and reading it confirmed that, yes, I know a thing or maybe two.
  So that’s today’s excursion accounted for, and if I survive the academic grilling, it’s upward and onward to the no less hallowed environs of the National Library on Thursday evening, for the latest instalment of ‘Thrillers and Chillers’. To wit:
Chillers and Thrillers
Does the female writer of crime fiction have an edge over her male counterparts? This question and more will be discussed on Thursday, December 15th by a panel of writers including Alex Barclay, author of BLOOD RUNS COLD, Arlene Hunt, author of the recently published THE CHOSEN, and Declan Burke, a leading crime fiction writer who has also written on the very topic of how women address the crime narrative in a different way to men, and author of the recently published ABSOLUTE ZERO COOL.
  So there you have it. For all the details on the ‘Thrillers and Chillers’ evening, which takes place at 8pm on Thursday, December 15th at the National Library of Ireland, Kildare Street, just clickety-click here

Sunday, November 6, 2011

Dreaming Of Gene-y

Gene Kerrigan’s hard-boiled novels have been one of the more enjoyable contributions to the current wave of Irish crime writing, although it’s fair to say that Gene has been writing about crime for longer than he probably cares to remember - his non-fiction titles, HARD CASES and THIS GREAT LITTLE NATION (co-written with Pat Brennan), are minor masterpieces of their kind.
  Always a man worth listening to on the topic of crime, its causes and consequences, Kerrigan is the latest contributor to the National Library of Ireland’s series of talks on crime fiction, and he’ll be front and centre this coming Thursday to talk about how the crime novel is the new ‘social novel’, no doubt referring to his current offering, THE RAGE, in the process. To wit:
On Thursday, November 10th, 2011 at 8pm, Gene Kerrigan will talk about his work and how the crime novel is one of the best mirrors on contemporary society. As a journalist, he has covered politics, crime and scandals for over thirty years, and his skills as a social commentator have established him as one of Ireland’s most gripping crime writers with a range of best-selling novels including LITTLE CRIMINALS and THE MIDNIGHT CHOIR. He was the winner of the Ireland AM Irish Crime Fiction Book of the Year 2010 for his book DARK TIMES IN THE CITY.
  For all the details, including information and booking, clickety-click here

Saturday, October 15, 2011

On Putting The ‘Ooooo’ Into Spooks

It’s a little early for Halloween, but if you’re in Dublin city centre next Thursday night, October 20th, you can get a jump on the festival of ghosts, spooks and ghouls in the first of the National Library of Ireland’s ‘Autumn Chillers & Thrillers’ series in the company of the Dark Lord, aka John Connolly (right). To wit:
Autumn Chillers & Thrillers

Many of Ireland’s hottest chiller, thriller and crime writers will feature in a new series of public interviews at the National Library of Ireland beginning later this month.

  On Thursday, October 20th, 2011 at 8pm, leading crime writer John Connolly, whose series of Charlie Parker novels has a strong supernatural dimension, will host ‘An Evening of Ghost Stories’ with Dr. Darryl Jones, Head of the School of English at Trinity College Dublin, where he was founding director of the postgraduate programme in Popular Literature. Dr. Jones’ definitive scholarly edition of THE COLLECTED GHOST STORIES OF MR JAMES, the foremost writer of ghost stories in English, will be published by Oxford University Press next month.
  Sounds like the good stuff, alright, although I’d quibble with the ‘strong supernatural dimension’ description - lately, or so it seems to me, John Connolly has refined the supernatural aspect of his earlier Charlie Parker novels, so that he’s now using the gothic tropes to go after a far more profound effect. There’s a scene in THE BURNING SOUL in which Charlie Parker comes downstairs in the middle of the night to find his TV on, cartoons playing, this in the midst of pursuing a case in which a young girl has been abducted. It’s a chilling piece of writing, certainly, but what it suggested to me was that Connolly wasn’t simply invoking ghosts and suchlike, but going after a far more subtle quality, attempting - successfully, in my opinion - to verbalise a sense of otherworldliness that is neither supernatural nor religious, although you could argue that it has a spiritual dimension. Maybe that’s just me, and maybe I should lay off the Kool-Aid while reading John Connolly, but I honestly think that viewing such aspects of his work, particularly over the last three or four novels, simply as ‘supernatural’ is to miss out on a far more delicate process of investigation that lies somewhere between a rationalising philosophy and an instinctive grasping after the ineffable.
  Anyway, next Thursday is the first of a series of ‘Autumn Chillers and Thrillers’ events planned by the National Library of Ireland. The second will take place on November 20th, and feature Gene Kerrigan, while the third takes place on December 15th, and will feature Alex Barclay, Arlene Hunt and your humble host. More details on those closer to the time. For all the details and booking information for next Thursday’s event, clickety-click here