Craig Sisterson over at Kiwi Crime was kind enough to point his 9mm at me (oo-er, missus), said 9mm being a quick-fire interview consisting of nine questions, one of which runneth thusly: CS: Of your books, which is your favourite, and why?For the rest, clickety-click here …
DB: “Now that’s a tough bloody question. It’s like asking which of your kids you love most. And the honest answer is that I love them all equally, and I’m including those that haven’t been published when I say ‘all’. EIGHTBALL was magic because it was my first, and I’ll never replicate that shining, incandescent moment when I first held the book - an actual book, written by me - in my hands. It happened on a street in Galway, and I believe I kind of blanked out for a few seconds. I’d waited a long, long time to see that book … THE BIG O I love because it was a co-published deal with Hag’s Head, I and my wife put our mortgage money where my mouth was by paying 50% of the costs, and it ended up a modest success, from a co-published little effort (880 copies in Ireland) that ended up getting a pretty decent deal in the States, and allowed me go to the States for a road-trip to promote it. BAD FOR GOOD (which is currently out under consideration) I love because it’s radically different to the previous books, and I’m still not sure where the voice came from, or where the notion of having a hospital porter blow up his hospital came from. But even the books that will never see the light of day, I love them too, because they’re me at my most me. Which is the main reason why I write, I think.”
Actually, it was only after I’d seen the piece published that the sheer audacity of that question struck me. Not that I might have a favourite among my books, but the fact that there books out there that are ‘my books’, and enough of them published - the bare minimum, as it happens - to allow me choose a favourite. Some days you forget how far you’ve come relative to where you began … If you had told me 20 years ago that I’d have one book published, let alone two, I’d probably have had you consigned to a home for the terminally bewildered.
It’s far too easy to get caught up in the bullshit that goes with writing - sales figures, publishing deals, not getting publishing deals, the near misses with commissioning editors who love your stuff but can’t get it past the bean-counters … All of which can be very frustrating, it’s true. Once in a while, though, it does no harm to lean back and glance up at the shelf where I’ve stacked the Irish crime fiction titles, and see ‘my books’ nestling in there (alphabetically, natch) amongst novels from proper good writers such as Colin Bateman, Ken Bruen, Paul Charles and John Connolly. I’ll probably never shed the notion that offerings are interlopers on that shelf, but hey, at least they’re there …
