
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Sunday, November 13, 2011
ADVERTISEMENT: ABSOLUTE ZERO COOL and the Irish Book Awards

Thursday, October 20, 2011
On ABSOLUTE ZERO COOL Being Short-Listed For The Irish Book Awards

But lo! The day has come, and there’s ABSOLUTE ZERO COOL nestling snugly on said list. Which is all kinds of wonderful, not least because a year or so ago I was planning to self-publish AZC, this on the basis that I couldn’t get a publisher to touch it with a barge-pole, and the only love was coming from the readers of this very blog.
Now don’t get me wrong, I’m not losing the run of myself - a short-list nomination is exactly what it is, and no more. But there’s a wealth of truth in the hoary old cliché about how it’s lovely just to be nominated, and I’m certainly buzzing on that right now. And not just for myself, or for the book itself, but for everyone who believed in it despite all the negative vibes (and there’s a very good chance that that means you, yes, YOU!); and I’m especially delighted for Liberties Press, and particularly Sean O’Keeffe, who was imaginative and brave enough to publish AZC.
