“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label Guy Ritchie. Show all posts
Showing posts with label Guy Ritchie. Show all posts

Wednesday, January 5, 2011

The Kindness Of Strangers: Web 2.0 And Readers’ Reviews

I hope you’ll excuse the trumpet-parping, folks, but I’m having an unusually good week in terms of reviews, and possibly my best week ever, given that all four of my books - two conventionally published, one published as an e-only novel, the last yet to be published - have been reviewed in the space of a short time. I blogged about a couple of reviews for THE BIG O and BAD FOR GOOD on Monday (see Barbarians, below), and almost immediately Michael Malone popped up to say that he had rather improbably included EIGHTBALL BOOGIE, which was published way back in 2003, in the ‘Best Books of 2010’ series he is running on his blog, with the gist running thusly:
“You want a book with heart and brains then look no further … writing that’s so sharp you could shave by it … I am quite frankly in awe of Declan Burke’s ability with a sentence. His writing is at turns lyrical and succinct; his dialogue snaps in your ear and his characters are so real they stay in your head long after you’ve turned the last page.” - Michael Malone
  Which is very nice indeed, sir, and entirely gratifying.
  Shortly after, I got an email notification from Smashwords to say that a reader had reviewed CRIME ALWAYS PAYS. The gist:
CRIME ALWAYS PAYS: A SCREWBALL NOIR (****) is a fun yet complex novel, which definitely falls under the heading of screwball, but not always ‘noir’. There are many of the characters you would expect of that genre though, including cops and robbers, some crooked and some with hearts of gold, there are mysterious dames and shady lawyers, and a crazed wolf thrown in for good measure …
  Burke does an excellent job of quickly outlining each character and then slowly revealing further details about their past, their motives and giving hints at important aspects of their personalities which come to bear in future. The dialogue is humorous and generally realistic but becomes over the top at some points, much like many of Guy Ritchie’s films, which seems to be a common and accurate comparison. Even though many of the characters are amoral, violent, or just greedy, and each has reason to hate one or more of the others, they are all easily likeable and by the end of the novel you want all of them to get what they want, even when that seems impossible.
  There were many aspects of CRIME ALWAYS PAYS which I greatly enjoyed and only a few things which I found distracted me from the story and characters. If this is your ‘go-to’ genre than you may find the jumps between characters, the complex web of relationships, and the over-the-top gangster slang easier to get past than I did. Once I overcame these very minor irritations I became engrossed in the events of the novel, the characters, and the questions posed by many of the characters regarding morality. The unique mixture of a fun cops and robbers caper and the complex plot and character relationships makes this novel highly enjoyable and worth a read, or even a re-read. - Katie Lee
  Again, hugely gratifying, and I thank you kindly, ma’am.
  Leaving aside my fascination with the web’s potential for generating coverage of writers who might not otherwise get a fair shake, not to mention the opportunity it provides to by-pass traditional publishing and go straight to the reader, it’s always nice to know that someone is reading your stories, and nicer still when you know that you haven’t wasted their precious reading time, and particularly nice when a reader goes to all the trouble up writing a review and uploading it. These are not things I take lightly.
  It’s one thing, and a marvellous thing in itself, to be reviewed in the traditional media outlets, but the fact remains that said reviews are written by people who have received a copy of your book for free, and are being paid to write the review. But, and at the risk of being overly sentimental, there’s something a little bit special about a review from a reader who has paid good money to read your story, and then, off their own bat, and with no reward for it, puts in the time and effort to write a review and post it to the web. Above all else it’s a practical example of that much abused phrase ‘the kindness of strangers’, and I deeply appreciate it, and always will.

Saturday, June 26, 2010

“Ya Wanna Do It Here Or Down The Station, Punk?”: Sean Patrick Reardon

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
I am by no means an aficionado of crime novels, but I would have liked to have written [Mario Puzo’s] THE GODFATHER.

What fictional character would you most like to have been?
Easy, Jay Gatsby.

Who do you read for guilty pleasures?
Bret Easton Ellis. His sequel to LESS THAN ZERO just came out and I’m looking forward to seeing what happened to all the characters.

Most satisfying writing moment?
I was toiling away on the novel, participating and wasting a lot of time on writer’s forums and one day I purchased Stephen King’s ON WRITING. It was the best money I ever spent and from that moment on, I felt empowered, enthusiastic, and had hope that I might just be able to pull it off.

The best Irish crime novel is …?
At this stage of the game, I’m like a schoolboy trying to learn from the many talented Irish crime headmasters I have come to know and read lately. If I had to pick one that has really moved me, it would be RESURRECTION MAN by Eoin McNamee.

What Irish crime novel would make a great movie?
I really, really wish Guy Ritchie would take on Declan Burke’s THE BIG O.

Worst / best thing about being a writer?
Self-doubt and editing are the worst. The best thing by far is the sense of accomplishment. Even if no one ever reads my novel, I set a goal of trying to do it, put in the time and effort, and I’m really proud of myself.

The pitch for your next book is …?
When wealthy Russian mobsters contract L.A psychologist Joel Fischer to develop a device to manipulate minds, the DreemWeever exceeds all expectations. Everything is on track for delivery and a big payday, until two adventurous stoners steal his Dodge Challenger that, unknown to them, contains the DreemWeever in its trunk. Fischer and his crew have two days to get it back or he dies.

Who are you reading right now?
HARD MAN by Allan Guthrie, CRIME ALWAYS PAYS by Declan Burke, and WAKE UP DEAD by Roger Smith. All are excellent and all the crime authors I’m discovering of late make me feel like I did as a kid when I discovered a new band.

God appears and says you can only write OR read. Which would it be?
Reading. Since I was a child, reading has taken me to foreign lands, exposed me to different cultures, and introduced me to all sorts of interesting characters (real and imaginary). Plus, I could never write, if I didn’t read.

The three best words to describe your own writing are …?
Cinematic, Rock-n-Roll, Twisted.

Sean Patrick Reardon’s MINDJACKER is available via Smashwords.

Friday, October 3, 2008

Robert Downey Jnr: An Ideal Holmes?

I’ve never been much of a Sherlock Holmes man myself, but a press release came through yesterday that may be of interest, to wit:
LONDON, ENGLAND, October 1, 2008 – Principal photography is set to begin on location in London for the action adventure mystery “Sherlock Holmes,” being helmed by acclaimed filmmaker Guy Ritchie, for Warner Bros. Pictures and Village Roadshow Pictures.
  Robert Downey Jr. brings the legendary detective to life as he has never been portrayed before. Jude Law stars as Holmes’ trusted colleague, Watson, a doctor and war veteran who is a formidable ally for Sherlock Holmes. Rachel McAdams stars as Irene Adler, the only woman ever to have bested Holmes and who has maintained a tempestuous relationship with the detective. Mark Strong stars as their mysterious new adversary, Blackwood. Kelly Reilly will play Watson’s love interest, Mary.
  In a dynamic new portrayal of Conan Doyle’s famous characters, “Sherlock Holmes” sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.
  And Jude Law will be going from that set to the “Blitz” set in early 2009, by all accounts …

Monday, July 9, 2007

The Embiggened O # 2,431: The Future’s So Bright We Gotta Wear Critical Mick’s Shades

It’s not often we quote Critical Mick here on Crime Always Pays – just every second day or so, enough to keep him from demanding jelly babies with menaces. But we couldn’t help ourselves stealing wholesale from his review of The Big O, mainly because he was so unusually unCritical*, to wit:
“Mick says: the dialogue, characters, plot and action were swift, sharp and entertaining enough to merit the suspension of disbelief. The same way that Training Day is a great movie despite the yawning implausibility of its crucial coincidence. Yes, the same way that 2006’s Running Scared ran so fast and slick. Winners all, big time. Riding the movie theme hard into this review’s conclusion: The Big O is the stuff Tarantino or Guy Ritchie would make into a film, a great fun film like Snatch, Layer Cake or Get Shorty. Filled with as many great characters as Pulp Fiction or (my personal fave 90’s crime flick) Things to do in Denver When You're Dead. Burke’s The Big O would inspire a classic full of tough crooks, wise cracks, drugs, flash and boobies. “Wow,” viewers would say. And then the hippest moviegoers, leading their hot redheaded dates outta the cinema, slipping on their designer shades, would say, “Yeah, but have you read the book it was based on? The book was better.””
Huzzah! We’ve been Micked and lived to tell the tale! That’s another one to tell the grandkids …

*Actually, he was very Critical. But we cut out the bad bits. As you do.