“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label Eamon Dillon. Show all posts
Showing posts with label Eamon Dillon. Show all posts

Tuesday, March 24, 2009

The Greatest Trick The Devil Ever Pulled …

… was to convince you that that line originated with ‘The Usual Suspects’, and not Baudelaire. Anyhoos, for such a fine, upstanding pillar of the community (see here for his charity work), Critical Mick appreciates a good scam better than most. T’was he, indeed, who pointed your humble host in the direction of Eamon Dillon’s THE FRAUDSTERS, in the process recommending it most heartily. Quoth the blurb elves:
THERE are as many ways to earn cash dishonestly as to make an honest living. Fraud is now an international industry, with a shadowy underworld network where everything from songbirds and garlic, to designer goods and medicines are faked and sold on.
  THE FRAUDSTERS details the proliferation of con tricks, old and new, being deployed every day by an army of these hard-working criminals. It tells how con artists come in all shapes and sizes – the scammers who stick to their flimsy stories, no matter what, the white collar grafters who like to think that nobody gets hurt when they hoodwink a financial institution, and then there are the psychopaths who are cold-blooded about their victims. They will pretend to be your friend, a respected banker, or even a lover, to win the trust they plan to violate.
  For some the lure of illicit money is more potent than doing a day’s work. Dillon reveals how identify theft works, the dangers of joining pyramid schemes and how charlatans, pretending to be successful business people, exploit loopholes in tax regulations to live the lifestyle of the super-rich. He describes how billions have been stolen by highly-organised gangs of swindlers, who sell unlikely tales through internet chat rooms and forums, and how arrogance, greed, gullibility and insecurity combine to make some people easy prey for the con artists.
  THE FRAUDSTERS tells the stories of these modern day criminals and their victims.
  It’s an obvious one, but my favourite scam novel is Jim Thompson’s THE GRIFTERS. Anyone got a really good grift novel we should be reading?

Saturday, March 8, 2008

Funky Friday’s Freaky-Deak

Quoth the Grand Vizier: It’s been a funny old week for ‘Project Grand Vizier’, people. The biggest news came from Hollywood, where the team of monkey-elves that go under the collective name ‘Gavin Burke’ had a movie script under consideration with a rather interesting producer, said script being an adaptation of THE BIG O, yours truly’s humble offering. Now, the producers said “No thanks,” and for reasons far too depressing to get into here. Nonetheless, the GV is quietly pleased that the book – published, lest we forget, on a budget of two elastic bands and a bent paper-clip – has penetrated so far so quickly, and particularly as it won’t even be published in the U.S. for another five months.
  Besides, as Mrs Vizier said after we heard the news, this is probably the best time to hear it, what with Baby Vizier still on course for his or her arrival on Friday 14. Like, who could really give a rat’s fundament about a movie with a Baby Vizier in the offing? An empire waits with bated breath, after all.
  In other THE BIG O-related news, we’ve seen some proposed covers for the U.S. release, and they’re hotter’n the barrel of a two-dollar gun. Meanwhile, Spinetingler Magazine has generously offered to host an excerpt from the novel in the near future, for which we are fawningly grateful.
  In blog-related matters, Crime Always Pays lost out in last week’s Irish Blog Awards to The Voyage in the ‘Best Specialist Blog’, and deservedly so. Sail on, you crazy diamonds. The Grand Vizier attended the awards ceremony with The Panjandrum, aka Chico ‘Chicovich’ Morientes, who was diplomacy personified in his role as Minister for Foreign Affairs & Bi-Lingual Trysts. An abstemious and polite night’s entertainment followed, although the Grand Vizier, who was incognito, was unfortunately set upon by an entire troupe of booze monkeys (headiccus rex) at the end of the evening, which precipitated a lemming-like plummet into rí rá agus ruile buile. Still, it can’t be Mills & Boon every night, right?
  On the books front, Cora Harrison’s MICHAELMAS TRIBUTE arrived this week, the novel being the sequel to MY LADY JUDGE, which was the first in a proposed series about the Brehon judge, Mara. Quoth the blurb elves:
Mara, Brehon of the Burren returns in another wonderful historical tale of murder and intrigue. The Michaelmas Fair is a time for the people of the Burren to gather together, buy and sell their wares, and give tribute to the lord of their clans. This year there’s an undercurrent of anger –the new lord of the MacNamara clan has raised the tribute and his greedy steward, Ragnall MacNamara, is not making himself a popular man. When his body is found in the churchyard, Mara has is called to investigate. Was it revenge, greed or something more sinister? Then another body is discovered, apparently a suicide. But Mara is not convinced and it’s up to her, as the judge and lawgiver, to uncover who the killer is before they strike again ...
MICHAELMAS TRIBUTE is published by Macmillan on May 2nd. As soon as we know more, you’ll be the first to hear.
  Meanwhile, on our travels around the blogosphere, we came across this interesting post at Even A Pencil Has Fear To. After being very complimentary indeed about Tana French’s IN THE WOODS, the postee considers its general reception, to wit:
“To my great surprise, most people found the novel good, but found the ending quite unsatisfying. After thinking about their comments, I decided this feeling of disappointment, of having untied threads, was largely due to the fact the novel was frequently presented as a mystery. Naturally, one of the main conventions of a mystery is that everything is tied up neatly – essentially, we know ‘who done it.’ My copy of the novel, checked out from my local library, was located in the mystery section; it even had a special mystery sticker on it. Yet, the cover jacket clearly denotes the book as a novel, which carries a different set of expectations for the reader.”
Really? What different expectations might they be? That most of the various threads will go untied?
  Anyhoo, one novel that hasn’t a hope in hell of tying up all its threads is Salman Rushdie’s THE ENCHANTRESS OF FLORENCE, which is fabulous read that blends Marco Polo’s travels, the Arabian Nights and Italo Calvino’s IF ON A WINTER’S NIGHT A TRAVELLER and / or INVISIBLE CITIES. If there is a better novel published this year, the Grand Vizier will eat his turban.
  Finally, those of you who will be in Dublin tomorrow (Sunday, March 8th) and want to know how Dublin’s mean streets got so blummin’ mean, there’s a discussion on true Irish crime writing at the Rotunda as part of the Dublin Book Festival that features crime reporters-cum-authors Barry Cummins, Niamh O’Connor, Paul Williams and Eamon Dillon. Beautiful people one and all, just trying to make sense of a crazy, mixed-up world …

Friday, February 15, 2008

Funky Friday’s Freaky Deak

It’s Friday, we’re feeling freaky, to wit: Adrian McKinty’s THE BLOOMSDAY DEAD has won the AudioFile Earphones Award. Quoth AudioFile: “A near-perfect marriage of fiction and performance, THE BLOOMSDAY DEAD is a must-listen … Forsythe is portrayed by Doyle in an intimate virtuoso performance that intensifies the taut, gritty writing. Every nuance of the protagonist’s soul lives in the read … There is never a lack of distinct personality in this soaring, tragic story.” Which is nice … Catherine O’Flynn talks chocolate and overnight success in a very sweet interview with Jason Steger at The Age … Both Siobhan Dowd and Derek Landy, for THE LONDON EYE MYSTERY and SKULDUGGERY PLEASANT, respectively, have been short-listed for the Red House Children’s Books awards … Glenn Meade conducts a thriller writing workshop at the 38th Listowel Writers’ Week, which runs from May 28 – June 1. Glenn’s workshops are always popular, so book early and often … Meanwhile, the Dublin Book Festival, which runs from March 7 – 9, will have a discussion on crime and how it’s represented in various media, with Barry Cummins, Niamh O’Connor, Paul Williams and Eamon Dillon contributing. The event takes place on Sunday, March 9, at 4pm at Dublin’s City Hall, and entry is free … The latest Carnival of Crime is currently taking place over at the essential Crime Spot, and your host is Graham Powell. Drop on over and tell him Crime Always Pays sent ya … Finally, the Denver Post is hosting the first chapter of John Connolly’s THE UNQUIET. And, leaving aside the quality of his work for a moment, if anyone is still wondering why Connolly is such a popular writer, check out the video below, in which Connolly works the crowd at Dublin’s Google offices in one of the Authors@Google series. Roll it there, Collette …