“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label Brendan Behan. Show all posts
Showing posts with label Brendan Behan. Show all posts

Wednesday, May 13, 2015

Interview: Steve Cavanagh, Author of THE DEFENCE

Steve Cavanagh’s (right) debut novel, THE DEFENCE (Orion), is a legal thriller featuring the New York conman-turned-lawyer Eddie Flynn. I interviewed Steve for the Irish Examiner last weekend, and very enjoyable it was too. A sample:
Assuming he’s not autobiographical, is Eddie Flynn modelled on any real-life lawyers?
  “The only real person who was of any influence for Eddie was Clarence Darrow,” says Steve. “Darrow was one of the finest advocates of the last 100 years. He was a man who could turn and win any case. Any case. He was that good. He also swung close to crossing the line into the criminal side of things from time to time, or so legend would have it.”
  As for literary influences, Steve cites a rattlebag of names and styles that includes Michael Connelly, Lee Child, John Mortimer and John Grisham, as you might expect, but also Brendan Behan, Thomas Harris and Spike Milligan. It was Irish author John Connolly, however, who finally got Steve writing his novel.
  “The Charlie Parker series is probably my favourite crime series and the fact that a fellow Irishman could write great American crime thrillers was a big influence. I thought that if John Connolly could do it, I might be able to do it. When I started writing I quickly realised that Connolly is a genius, and I am not – so I had to really work at it.”
  For the rest of the interview, clickety-click here

Thursday, June 10, 2010

“Ya Wanna Do It Here Or Down The Station, Punk?”: Jeff Andrus

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What fictional character would you most like to have been?
I am John Tracer. But somehow he stays the same while I just keep getting older.

Who do you read for guilty pleasures?
It more like, Who do I look at for guilty pleasure? The short list includes Jenna Jameson, the little blonde who mixes paint at Ace Hardware and an extraordinary Eucharistic minister at St. George’s.

Most satisfying writing moment?
In the western Proud Men, Charlton Heston said a line in which I used a cousin’s name, a throwaway for me, but Chuck spoke with such chilling conviction about the man’s rapacious appetite for other people’s land, I had to call my cousin and apologize before the piece aired. Of course, I wasn’t really sorry at all.

The best Irish crime novel is…?
I can’t speak about Irish crime fiction, but I think Ireland’s most eloquent alcoholic bomb-maker was Brendan Behan. I particularly admire BORSTAL BOY and CONFESSIONS OF AN IRISH REBEL.

What Irish crime novel would make a great movie?
MALIBU PALMS. The narrator is a drunk, and the author happens to be the grandson of a bronc buster named Harney. When my mother was growing up, she was told never to tell anyone she was Irish. Being half-Mexican was OK. Boy, have times changed.

Worst / best thing about being a writer?
My folks thought I was going to be a physician when I grew up. When they finally realized that I meant to be a writer, they took it as a sure sign that I would turn out to be a drunk and homosexual. They got half of it right.

The pitch for your next book is…?
The Shroud of Turin is a priceless Christian relic that means absolutely nothing to Harv Weisman, a secular New York cop who immigrated to Israel to work for Mossad as a way of avenging the murder of his wife and children by terrorists. Harv is skeptical about the power of any faith until The Shroud is stolen and used to blackmail the land of his fathers.

Who are you reading right now?
THE KOREAN WAR: PUSAN TO CHOSIN: AN ORAL HISTORY by Donald Knox.

God appears and says you can only write OR read. Which would it be?
God always stays in character. He wouldn’t do that.

The three best words to describe your own writing are…?
“...whimsical, lurid, offbeat.” - The Virginia Quarterly Review, Autumn 1996.

Jeff Andrus’ MALIBU PLAINS is published by Booksurge Publishing.

Monday, March 17, 2008

Mi Casa, Su Casa: KT McCaffrey

The continuing stooooooory of how the Grand Vizier puts his feet up and lets other writers talk some sense for a change. This week: KT McCaffrey (right) on catching the crime fiction bug.

The Butcher(ed) Boy


Why, you might ask, would a writer choose to take crime fiction as his or her subject? At what point does an author say, yep, that’s what I’m going to write about? Moi? I think I was about nine years of age when I got the bug. This would have been about the time I got to know an old-style cop named John Duffin from my home town of Clara, in County Offaly. Think ‘Heartbeat’ rather than ‘The Bill’, a time when local Gardai, like the parish priest, the bank manager and the school headmaster, were held in high esteem. A friend of the family, Garda Duffin liked nothing better than to chat about his involvement with local ne’er-do-wells.
  One of the darker stories he told concerned a local murder that had taken place in 1941. This would have been a decades or so before I was born. It kicked off in a somewhat comical manner.
  Bernard Kirwan, who lived with his younger brother Larry on a small farm in Rahan, five miles from Clara, took a notion to do a spot of armed robbery. With minimum preparation, he took a hacksaw to the double barrels of his shotgun, donned a mask, and held up the local postman. Through a contact in the post office sorting room he’d learned that the postal delivery included registered mail containing cash. Bernard could have shot the postman to facilitate his escape but decided instead to blast the bicycle’s tyres with both barrels, an action he hoped would achieve the same objective. He was caught of course (the postman recognised his voice) and was given seven years ‘hard’ in Portlaoise Jail.
  His time inside proved uneventful except for the fact that he learned the skills of butchery while there, a factor that would play a major part in subsequent events. Conditional release was granted four years later. He returned to the farm, intending to take charge, but his younger brother Larry had other ideas. Hostilities broke out and a struggle for supremacy ensued.
  Larry refused to give Bernard food or a wage for his work on the farm. Bernard, with no means to sustain himself, began to steal food and money. Fist fights, and even a knife attack, marked the brothers increasing bitterness. When it seemed like things couldn’t get any worse, Larry went missing. His girlfriend became worried when he didn’t show for a date. Friends who had expected to see him became concerned when he failed to show. When Bernard was questioned about his brother’s unexplained disappearance, he claimed Larry had gone to visit an aunt in Kildare. Inquiries took a little longer back then but within a few days it was established that Larry had never gone to his aunt.
  Foul play was suspected.
  Neighbours, aware of the brothers’ hatred for each other, noticed smoke coming from Kirwan’s boiler house twice in as many days. This they considered odd due to the fact that no cooked meal had been fed to the pigs. When it became known that Bernard had learned butchery skills, the Garda decided to investigate. He fobbed them off, saying he’d been burning rubbish, but he now found himself subjected to round-the-clock surveillance. One of those assigned to cover his movements was my friend Garda John Duffin.
  Knowing he was being watched, Bernard undertook long bicycle trips to the neighbouring towns of Kilbeggan, Moate, Tullamore and Mullingar. John Duffin, who carried quite a bit of weight, was forced to get on his bike and follow the suspect to each location and back again. At journey’s end, Bernard would wave cheekily to the fully uniformed and totally exhausted Duffin. Prefiguring The General many years later, Bernard liked nothing better than to cock a snoot at the law.
  Eventually, men working on a bog, less than a mile from the Kirwan farm, dug up a human torso. With what forensics existed at the time they were able to establish that it was the remains of Larry Kirwan. Bernard stood trial, accused of using his butchery skills to kill his brother, hack off the limbs, burn them, and then bury the torso.
  He was found guilty and hanged in 1943.
  I wasn’t the only person that John Duffin told this macabre tale to; he also related it to playwright Brendan Behan, who used it as the basis of his 1954 play THE QUARE FELLOW. I’ve never seen the play but then, I have no need to see it. As a young impressionable lad, I’d heard it first hand – related in far more graphic detail than outlined above – something that insured I would retain a fascination for the darker aspects of the human psychic for the rest of my life. I suppose I should consider myself lucky to have channelled this interest into my writing rather than anything, shall we say, more malevolent. – KT McCaffrey

KT McCaffrey’s THE CAT TRAP is published by Robert Hale.