“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts

Saturday, April 30, 2011

“Ya Wanna Do It Here Or Down The Station, Punk?”: Bill Loehfelm

Yep, it’s rubber-hose time, folks: a rapid-fire Q&A for those shifty-looking usual suspects ...

What crime novel would you most like to have written?
That’s a tough one; there are a lot to choose from. NO COUNTRY FOR OLD MEN by Cormac McCarthy is one, for sure. It approaches the level of American mythology, the way it examines evil, greed, and violence. Also, CASE HISTORIES by Kate Atkinson, simply because it’s so utterly brilliant and gut-wrenching from the first word. Those two and a lesser-known book called CHEAP TICKET TO HEAVEN by Charlie Smith, about a bank robbing couple on the run through the US. It’s surreal, dark, philosophical, and one of the most unique novels I’ve ever read, crime or not. If I had to pick one, I’d say CHEAP TICKET, because it pushes the limits of the crime novel the furthest.

What fictional character would you most like to have been?
This one is easy. Batman. Not that I don’t love my parents, but the ability to kick that much ass on people who really deserve it is pretty tempting. Plus, there’s Catwoman.

Who do you read for guilty pleasures?
I like sports writing about baseball. In another life, if I couldn’t play the game, I’d be a beat writer for the New York Mets.

Most satisfying writing moment?
That live moment when it’s really flowing and you know it’s good. That fleeting, ephemeral high is the best, when you’re free from wondering about the final result of it. Also, I have to say, sending a manuscript to my editor or my agent – knowing it doesn’t have to be letter perfect to impress and that I don’t have write three dozen friggin’ query letters—that’s pretty damn satisfying.

The best Irish crime novel is …?
Can I put a vote in for Roddy Doyle’s THE WOMAN WHO WALKED INTO DOORS? There’s a mysterious death and plenty of bad behavior. Maybe not the best, but certainly most underrated, at least in the States. Everyone knows the Barrytown trilogy, but I think the Paula Spencer novels are brilliant.

What Irish crime novel would make a great movie?
CHRISTINE FALLS by Benjamin Black. Very noir. Intriguing story with all kinds of twists, and I think that era in Dublin would make such a compelling setting. The way Black renders it reminds me of Chandler’s L.A. I’d imagine, after the way Dublin’s changed over the past couple of decades, that those days in Dublin seem even further back and more foreign than ever. Might be fun to look closely at them.

Worst / best thing about being a writer?
Being your own boss. That’s the best and the worst of it. Making all my own hours. In a way, I never have to go to work, but in another way I’m never not at work, either. So I’ve never got nothing to do, but – I never have nothing to do.

The pitch for your next book is …?
A world-weary NYC cocktail waitress sees something she shouldn’t after work one night, putting her and her mother on the wrong side of some very bad people.

Who are you reading right now?
Right now, I’m getting towards the end of Kate Atkinson’s STARTED EARLY, TOOK MY DOG. I’ve got Walter Mosley’s second Leonid Magill novel and a debut novel called LEARNING TO SWIM by Sara J Henry on my TBR pile.

God appears and says you can only write OR read. Which would it be?
Maybe this is a cop-out, but having published a couple of books already, I’d have to choose read. Not that I don’t feel I have plenty more books in me, but not as many as I would miss if I couldn’t read.

The three best words to describe your own writing are …?
Sharp, authoritative, efficient. (I hope)

Bill Loehfelm’s THE DEVIL SHE KNOWS is published by Farar, Straus and Giroux

Wednesday, October 1, 2008

The Lone Ranger And Toronto Ride Again

All three regular readers of Crime Always Pays will know that John McFetridge (right) and I are taking a road-trip next week, starting on Sunday in Toronto and meandering down through New England towards Baltimore for Bouchercon, which runs from October 9 to 12. I will, I’m sure, be dining out for many years to come on the fact that I once, even for a shimmeringly brief moment in time, played Tonto to his Lone Ranger, Robin to his Batman, Waldorf to his Stadler, Ginger to his toe-twinkling Fred, etc.
  Anyhoos, the book-signing / reading / event itinerary can be found here, and if you’re in the vicinity of any of the outlets involved, we’d love to see you come along. John, I’m told, is a sight to behold in his diamante-spangled Lone Ranger / Batman / Stadler / Fred Astaire costume ...
  He also writes a mean story or two, which is actually the point of this post, because McFetridge has just collected all his web-published short stories and flash fiction on one interweb yokeybus, the whole shebang entitled ‘The Toronto Series’. If it’s good enough for Elmore Leonard, and it is, then it should be good enough for you. Here’s a taster from ‘Grow House’ to get you started …
Grow House
Steve Barrett had been back from Afghanistan two weeks when he stole his first car, a brand new BMW X5, leather interior, V8. What he did was, he stood around the parking lot of the Vaughn Mills Mall in north Toronto until some woman pulled in driving it and he followed her inside. Then he gave a couple of teenagers fifty bucks to steal her purse and while she was giving the mall security guard shit for half an hour, Steve drove the car to a garage on Dufferin owned by a biker named Danny Mac who gave him ten grand in cash.
  It was the same kind of independent thinking the army sent him home for showing. What the fuck did they expect him to do back home?
  Now, less than a month later, he was driving north on Avenue Road in a Jaguar XJ, British Racing Green, slowing down in front of the Four Seasons, looking for his girlfriend, Summer, and there she is, looking like every other twenty-something blonde in Yorkville; expensive skirt suit with the skirt way too short showing off fantastic skinny legs and a nice ass, the little jacket buttoned up to show her tits spilling out of the push-up bra, sunglasses and a big Holt Renfrew bag over her shoulder. And talking on the phone. She could be just another one of the rich kids with Daddy’s credit card, but when she got in the car saying, “The fuck you talking about Freddie, don’t give me that shit,” there was enough edge to make it real.
  That, and everything in the big Holt Renfrew bag was stolen.
  Steve pulled away from the curb looking at her and she gave him the nanosecond smile and went back to talking to her brother, saying they’d be right there and Steve saying, no we won’t, and Summer saying, don’t fucking worry and Steve saying worry all you want, I’m not helping and Summer saying, “Are you sure they’re dead?” ...
Jump on this for the rest ...

Tuesday, July 22, 2008

Nobody Move, This Is A Review: The Dark Knight

It’s always darkest before the dawn, and even though The Dark Knight offers a few slivers of hope by the end, this is a very bleak movie indeed. In a nutshell, Bruce Wayne / Batman (Christian Bale) is fighting to rid Gotham City of the Mob by targeting money launderers, and is so successful that The Joker (Heath Ledger) takes it upon himself to kill the Caped Crusader. Behind the cartoonish superhero posturing, however, is a very serious meditation on America’s approach to the so-called ‘War on Terror’ – Batman engages in the ‘extraordinary rendition’ of a suspect from Hong Kong, and isn’t averse to torturing a prisoner when the occasion demands. There’s also a fascinating double-act between Batman and Gotham’s new District Attorney, Harvey Dent (Aaron Eckhart), aka ‘the White Knight’, who distrusts Batman’s vigilante approach and wants to fight crime in a clear and transparent fashion. The director, Christopher Nolan, has crafted a thoughtful and often philosophical movie, but he hasn’t neglected to include a number of powerful action sequences, most of which – the lumbering and unconvincing Bat-bike apart – are expertly executed via Steadicam. Bale’s bass growl when voicing Batman is still an unnecessary irritation, but The Dark Knight is much more concerned with exploring the psychology behind Bruce Wayne than his alter ego, and here Bale is in superb form. Surrounded by an excellent cast – Morgan Freeman, Maggie Gyllenhaal, Gary Oldman and Michael Caine all shine, particularly Caine – he is magnificently intense and introspective, offering an unusually realistic portrayal of a superhero beset by self-doubt. The star of the piece, however, is Heath Ledger as The Joker. Combining the expected range of tics and quirks of the clownish psychotic with a pathos-laden performance that offers real depth to the character, Ledger burns where Bale smoulders, leaving a scorching reminder of what his talent might have achieved. – Declan Burke

This review was first published in TV Now magazine

Thursday, July 17, 2008

A GONZO NOIR: An Internet Novel # 12

A Grand Vizier writes: “Pootled along to see the new Batman flick The Dark Knight yesterday morning, and terrific stuff it is too, an unusually bleak and philosophical movie for mainstream viewing, especially given the cartoonish quality of most superhero movies. It’s chock-a-block with story, so it’s probably not too much of a spoiler to tell you that, among his many outrageous acts (the ‘disappearing pencil’ gag is hilarious), The Joker gets to blow up a hospital. Which is quite the bummer, as A GONZO NOIR is rapidly approaching its conclusion (the penultimate section comes below) with hospital porter Billy / Karlsson poised to – oh yes! – blow up his place of work. Oh well, it can’t be Mills & Boon every day, right? Anyhoo, on with the show …

The story so far: Failed author Declan Burke (right), embittered but still passably handsome, wakes up one morning to find a stranger in his back garden. The stranger introduces himself as Karlsson, a hospital porter who assists old people who want to die and the hero of a first draft of a novel Burke wrote some five years previously. Now calling himself Billy, he suggests a redraft of the story that includes blowing up the hospital where he works. Intrigued, Burke agrees to a collaboration, but things do not go swimmingly …
  For the reasons we’re publishing a novel to the interweb, go here.
  If you want to skip all that malarkey, the novel starts here.
  If you’re one of the 34,014 readers who have been following the story, the latest update can be found here.
  Oh, and as a special treat for Ms Witch, this is the view Billy / Karlsson has from the decking where he and the Grand Viz have their little ‘hospital incineration’ chats …

  Now read on …