“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Tuesday, July 24, 2018
Review: FORCE OF NATURE by Jane Harper
Australian author Jane Harper’s debut The Dry was published to widespread acclaim last year, and deservedly won a number of prizes. Force of Nature (Little, Brown) is an accomplished follow-up which reprises a number of elements that contributed to The Dry’s appeal, a gripping tale in which the landscape is as pitiless an antagonist as any human killer. The story opens with the news of Alice Russell’s disappearance, which brings Falk and Cooper to the Giralang Ranges, where they proceed to interview the women who accompanied Alice on the hike. Their investigation is interspersed with flashbacks to the hike itself, as the group of five women – representing the various strata of the BaileyTennants’ hierarchy – begin in a mood of cheery optimism before quickly degenerating into bickering, open loathing and physical confrontation as the wilderness strips away their pretensions to civilised professionalism.
It’s an absorbing tale, in part a contemporary psychological thriller and partly a clever reworking of conventions borrowed from the Golden Age of the mystery novel. The lodge where Alice’s hiking companions wait to hear of her fate could easily be a country house in a Ngaio Marsh whodunit, with Falk and Cooper an Inspector Alleyn-style duo interrogating the BaileyTennants employees as to what exactly happened out on the Ranges. Meanwhile, the flashback sections quickly establish the fact that Alice was an abrasive, ruthless co-worker. Her behaviour might have been just about tolerable back in the city where Alice could exert an artificial authority, but with the group lost, running out of water and scrabbling for survival, a variety of tensions erupt into strong motives for murder.
The plot is sufficiently labyrinthine to keep the most jaded of crime fiction fans guessing, but it’s Harper’s evocation of landscape that elevates Force of Nature above run-of-the-mill thrillers: ‘The gum trees gave way and they came face to face with a magnificent vista of rolling hills and valleys, stretching out beneath them right to the horizon. Shadows from shifting clouds created an ocean of green that rippled like waves.’ Something malevolent, however, lurks behind the beauty: ‘Beth wasn’t sure if the others had sensed it, but earlier she had felt the faintest stirrings in the atmosphere. Something base and elemental and almost primitive, where a bit of stale bread and cheese became a prize worth fighting for.’ Even the sanguine Falk, a hardnosed detective not given to flights of fancy, reflects that the Giralang Ranges is an ‘isolated terrain, where trees grew thick and dense on land that was reluctant to let anything escape.’
Apart from one glaringly unnecessary red herring, Force of Nature is a powerful tale exploring the fragility of society, a compellingly plausible account of how quickly the veneer of civilisation can be stripped away when human instinct is reduced to flight or fight. Believe the hype: Jane Harper is the real deal. ~ Declan Burke
This review was first published in the Irish Examiner.
Saturday, September 2, 2017
News: Adrian McKinty Wins Second Ned Kelly Award
As crime fiction twists go, this is up there with Arthur Conan Doyle: Belfast-born, Melbourne-based Adrian McKinty last night won a book prize for a novel starring a character he wanted to kill ages ago.For the rest of The Australian piece, clickety-click here.
Herewith be yours truly’s review of POLICE AT THE STATION, which was first published in the Irish Times:
Police at the Station and They Don’t Look Friendly (Serpent’s Tail, €15.99) is the sixth in Adrian McKinty’s increasingly impressive series to feature Sean Duffy, a Catholic detective working for the RUC during Northern Ireland’s ‘Troubles’. The mystery begins with a bizarre murder, when drug dealer Francis Deauville is shot to death with a crossbow, but when Duffy starts to wonder why an ‘independent’ drug dealer who has been paying protection to the paramilitaries has been assassinated in such an exotic fashion, he finds himself assailed on all sides. Persecuted by Internal Affairs and fending off IRA attacks, Duffy digs deep into Northern Ireland’s recent past to uncover a tale of collusion and unsolved murder. The plot is as tortuously twisting as McKinty’s readers have come to expect but it’s the tone that proves the novel’s most enjoyable aspect, as Duffy delivers a first-person tale of cheerfully grim fatalism and Proddy-Taig banter, the story chock-a-block with cultural references, from NWA and Kylie Minogue to Miami Vice and The Myth of Sisyphus.
Sunday, September 7, 2014
News: Adrian McKinty Wins Australian ‘Ned Kelly’ Award
“In his use of humour with the grim realities of Belfast in 1984, coupled with a wonderfully constructed locked room mystery, McKinty has produced something really quite extraordinary. There’s a fine line between social commentary and compelling mystery and not many writers, crime or literary, can do both.”For more, clickety-click on Adrian’s blog.
For an interview published on the release of IN THE MORNING I’LL BE GONE, clickety-click here …
Tuesday, August 19, 2014
News: Adrian McKinty Shortlisted for 2014 Ned Kelly Awards
“In his use of humour with the grim realities of Belfast in 1984, coupled with a wonderfully constructed locked room mystery, McKinty has produced something really quite extraordinary. There’s a fine line between social commentary and compelling mystery and not many writers, crime or literary, can do both.”For more, including the full list of nominees, clickety-click here …