“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Monday, December 10, 2018

Review: NORTHERN HEIST by Richard O’Rawe

Previously the author of three non-fiction titles, including Blanketmen, former Provisional IRA press officer Richard O’Rawe makes his crime fiction debut with Northern Heist (Merrion Press), in which James ‘Ructions’ O’Hare sets out to pull off ‘the biggest heist in Irish history’ by knocking over Belfast’s National Bank of Ireland. Set in 2004 – the year of the Northern Bank robbery – the novel offers a driving plot teeming with colourful characters, as Ructions, as per the sub-genre’s conventions, schemes to pull off the fabled one last job. It’s a tense tale – the IRA and the newly formed PSNI are both keeping tabs on our anti-hero – but where Northern Heist really scores is in the human detail, and particularly in terms of the interaction between the professional criminals and the bank staff kidnapped to facilitate the robbery. The stakes might easily have been raised had O’Rawe delivered more of the wider political context – the likely impact of the robbery on the Good Friday Agreement, for example, receives only a brief mention – but otherwise Northern Heist is a pulsating tale of vaulting ambition and establishes Richard O’Rawe as a crime novelist to reckon with.
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