“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Friday, April 22, 2016
“Ya Wanna Do It Here Or Down The Station, Punk?” Siobhan MacDonald
What crime novel would you most like to have written?
REBECCA by Daphne du Maurier. An excellently woven and deeply atmospheric novel. Still resonates all these decades later.
What fictional character would you most like to have been?
Probably a cross between Lynda La Plante’s Jane Tennison and a rehabilitated Claire Underwood from House of Cards. Jane Tennison because she’s focused, clever, and sticks to the task in hand. She’s also pretty cool. She doesn’t flap and is decisive as those around lose their heads. Claire Underwood from House of Cards - for her comportment and delivery, not her Machiavellian machinations, fascinating though they may be.
Who do you read for guilty pleasures?
I try to keep up with the goings-on of the redoubtable Ross O’Carroll Kelly, aka Rosser.
Most satisfying writing moment?
Occasionally when I revisit a sentence or a passage in editing and think to myself – Oooh, did I write that? That’s really not so bad.
If you could recommend one Irish crime novel, what would it be?
Too many great Irish crime novels by female authors in particular to single just one out. “Here come the girls …” I say.
What Irish crime novel would make a great movie?
Tana French’s BROKEN HARBOUR. Moody tension all the way.
Worst / best thing about being a writer?
The worst thing is fretting that your work will never reach the world at large. Then being terrified when it does. The best thing is convincing yourself that you really earned another latté and a slice of carrot cake after all that typing.
The pitch for your next book is …?
There are two sides to every story, but sometimes, just sometimes, you find that there are three.
Who are you reading right now?
Anne Enright’s THE GREEN ROAD.
God appears and says you can only write OR read. Which would it be?
Come back when you’re in a better mood.
The three best words to describe your own writing are …?
Punchy. Pacy. Pithy.
Siobhan MacDonald’s debut TWISTED RIVER is published by Penguin (US) and Canelo (UK).
No comments:
Post a Comment