“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Thursday, May 7, 2015

Event: Poetry Day Ireland

There isn’t generally much call for poetry on Crime Always Pays, but today is Poetry Day Ireland, and Sophie Hannah (right) – best-selling crime novelist, prize-winning poet – will be reading with Paul Perry – one half of crime-writing duo Karen Perry – at Green Street Courthouse in Smithfield at 7pm this very evening. For all the details, clickety-click here.
  Meanwhile, and for the day that’s in it, here’s a couple of poems for your delectation …
Jigsaw

Scatter the pieces on the floor
And put away the box.
Begin again, from memory,
For the pure joy of fingering blind

And the soft fitting together.
Each shape its own thing,
Awkward tongue and teardrop groove,
Only ever snug in its singular place.

Like words, they are, these pieces
Of Arctic Scene With Polar Bear and Seal,
Sifting down out of perfect silence
To settle perfectly blank as snow.


Sorokos

In the Cyclades the light has a brutal purity
Slicing through to the meaning of Pi
So that the world seems hyper-aware,
Self-conscious without ever becoming shy

Like a half-wild cat or empty stage.
They say the Sahara is where it begins,
The sorokos, and grains of sand carried north
To polish the light from within

And set the very molecules a-tremble
In a shimmering dance of rock and sea
That renders the stark and barren reality
An intense, voluptuous dream.

In the islands your itinerary becomes a haiku
Where you relinquish the need for rhyme,
Prismed in the dazzling brilliance of a sliver
Of mirror smashed long before your time.


Bunks

A pirate ship, an upstairs cave,
A reading den or castle sunk,
An indoor treehouse under pixie leaf –
O the possibilities of an upstairs bunk!

The upper an orphanage and menagerie
Of teddies, puppies, tigers and dolls,
The lower a bridge strung with pink fairy lights
To dazzle those ever-lurking trolls.

It was heaven up there and we on the lower
Singing our tuck-in lullabies by night
To those guardian angels who stayed to watch o’er
In the darkest hours before dawn’s early light.

O the possibilities of an upstairs bunk!
And the hope that perhaps tempted fate –
How sad the math of two bunks, one child,
And the vacuum of an impossible weight.

Now and again she would softly sigh
As only a six-year-old can sigh
And wish she had a sister. But Lily –
We tried, my love, O how we tried.

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