A multi-layered, Gothic tale of obsession and bloodshed set in modern-day and Victorian Dublin.I AM IN BLOOD will be published on April 30th.
Present day: Seventeen-year-old Nathan Jacob’s interest in real-life crime leads him to a series of horrific murders committed in Dublin’s red-light district, The Monto, in the late nineteenth century. As he delves deeper into this grisly mystery, someone – something – begins to speak to him through the pages of time. Something half-formed and dark; something that draws Nathan and his bloodline back to Victorian Dublin and the horrors that took place there.
1890: Sergeant George Frohmell of the Dublin Metropolitan Police is under pressure. His beloved, bedraggled city has become the hunting ground for a faceless monster, a creature that preys on the poor and vulnerable, leaving them butchered in back alleys. As the death toll increases and the violence moves ever nearer to his own heart, Frohmell must find his man – or lose everything.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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