“Burke shows again that he’s not just a comic genius, but also a fine dramatic writer and storyteller.” – BooklistIf that piques your interest, you’ll find THE LOST AND THE BLIND here …
“There’s much, much more, and readers with the patience to watch as Burke (Crime Always Pays, 2014, etc.) peels back layer after layer will be rewarded with an unholy Chinese box of a thriller. Make that an Irish-German box.” – Kirkus Reviews
“In “The Lost and the Blind,” Declan Burke weaves plot twist after plot twist together to create a thriller full of mystery and intrigue. If you think you can predict endings, you won’t this time. The first few chapters keep you dizzy with questions as the story starts to unfold. If not for Burke’s ability to create a spellbinding tale, you might be tempted to put the book down. You are never quite sure what happened, who to trust, or what’s truly going on in Delphi Island until the end. The only promise is that Burke keeps you turning the page with his style of writing, deft dialogue, and cast of characters. Not many authors are capable of successfully pulling off such a complex plot, but Burke does and makes it seem effortless.” – Library Thing
“This book has great elements of crime, thriller and mystery, with an intricate plot that keeps you on your toes up to the final pages. This is the first Declan Burke book I’ve read and it won’t be the last.” – Romancrimeblogger, Amazon
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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