Billed as a ‘screwball noir’ and set during the concluding days of an Irish election campaign, Rob Kitchin’s Stumped (280 Steps, €11.99) is a comic crime caper that opens with Grant, an English academic based at Maynooth University, being presented with an ultimatum: return an unspecified package stolen from a Dublin gang lord, or see his friend Sinead returned to him in severed pieces. Enlisting the help of the wheelchair-bound Mary and her camp friend Declan, the hapless, bumbling Grant sets out to do the right thing, aided and abetted by venial politicians, low-life thugs, tabloid journalists, a rockabilly cop and a veritable platoon of drag queen farmers. Kitchin – an English academic based at Maynooth University – offers a delightfully preposterous tale in this, his fourth novel, even if the story is neither bleak enough to qualify as true noir and lacks the snappy, crackling dialogue we associate with classic screwball comedy. That said, Kitchin maintains a cracking pace and generates plenty of humour by switching rapidly between the perspectives of a swarming host of outlandish characters, very few of whom are anywhere near as clever or competent as they believe themselves to be. ~ Declan BurkeFor the rest of the column, which includes the current offerings from Paula Hawkins, Harri Nykänen and Celeste Ng, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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