“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Friday, February 6, 2015

Pre-Publication: AFTER THE FIRE by Jane Casey

Currently shortlisted for an Edgar Award for THE STRANGER YOU KNOW, Jane Casey returns to the fray in June with the latest offering in the increasingly impressive series featuring London-based DC Maeve Kerrigan, AFTER THE FIRE (Ebury Press). Quoth the blurb elves:
After a fire devastates the top floor of a tower block on the Maudling Estate, Maeve Kerrigan and her colleagues are called in. Their presence is needed because it’s a sensitive investigation – not because the blaze was caused by arson, or because several residents died, but because a body was found in the car park below the tower. It appears that controversial MP Geoff Armstrong, trapped by the fire, jumped to his death rather than wait for rescue. But what was he doing in the very unglamorous surroundings of the Maudling Estate? And why did he choose to die when rescuers weren’t far away?
  The police can’t assume that Armstrong was the arsonist’s target. As Maeve and Derwent pick through the wreckage, they uncover the secret world of the eleventh floor, where everyone seems to have something to hide. It’s a tough investigation, made harder by Maeve’s private life unravelling. Without her ex-boyfriend Rob’s steady influence, she’s behaving recklessly, in a way that’s likely to harm her – or someone close to her – before long.
  For more, clickety-click here …
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