An Irish Republican Army plot goes horribly wrong when its leader, Johnny Murtah, kills an innocent man and is himself gravely wounded. As the police close in on Johnny, his compatriots must make a daring bid to rescue him. But they are not the only ones in pursuit: an impoverished artist, a saintly priest, a sleazy informer, and a beautiful young woman all have their own reasons to be desperate to find him. Meanwhile Johnny wanders the streets injured and alone, trapped in a delirious nightmare, surrounded on all sides by betrayal and faced with the realization that he may die that night with the stain of murder on his soul. The action unfolds over eight hours of a cold Belfast night, with the suspense building towards an explosive conclusion.As it happens, Adrian McKinty’s contribution to DOWN THESE GREEN STREETS (2011), which focused on Northern Ireland’s early contribution to Irish crime writing, was titled ‘Odd Men Out’, in which he touches briefly on ODD MAN OUT, describing it as a Dante-esque descent into a surrealist hell. Poor old Belfast, eh? Always the bitter word, etc. ...
Both a critical success and a bestseller, F. L. Green’s masterful thriller Odd Man Out (1945) is best known today as the basis for the classic 1947 film adaptation directed by Carol Reed and starring James Mason. This edition, the first in over 30 years, features a new introduction by Adrian McKinty.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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