Krystyna Green at Constable has acquired world English language rights in WHITEWATER CHURCH by Andrea Carter (right) in a two book deal from Kerry Glencorse at Susanna Lea Associates.For more on Andrea Carter, clickety-click here …
WHITEWATER CHURCH is the first of a crime series set in a small town in the beautiful and remote Inishowen Peninsula in Ireland. When a skeleton wrapped in a blanket is found in the secret crypt of a deconsecrated church, local solicitor Ben (Benedicta) O’Keeffe finds herself drawn into the dark secrets of a rural community, as she negotiates between the official investigation and obstructive locals to uncover the truth of what happened.
Krystyna Green said: “We are absolutely thrilled to be taking Andrea on, especially at this exciting time for the Constable list. As well as publishing our more traditional titles it’s marvellous too we can devote time and energy to pushing forward debut authors with a long and thrilling future ahead of them.”
Andrea Carter is a barrister living in Dublin. She lived and worked in the Inishowen Peninsula in County Donegal as a solicitor for a number of years. WHITEWATER CHURCH was one of the winners of the 2013 Irish Writers Centre Novel Fair and received an Arts Council of Ireland Literature Bursary Award. Constable will publish in Autumn 2015.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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