Cross of Vengeance (Severn House, €19.99) is the tenth of Cora Harrison’s novels to feature Mara, the 15th century Brehon judge based in the Burren in the West of Ireland. Here Mara investigates the murder of a German pilgrim to the church at Kilnaboy, who is discovered naked and spread-eagled in the cruciform position the morning after a precious religious relic is burnt. Given that the pilgrim was a follower of Martin Luther, some of the locals believe his death was an act of God, but Mara, who is not noticeably devout, goes in search of a more prosaic killer. The religious fanaticism that underpins Cross of Vengeance gives it a contemporary resonance, but for the most part this is an unabashedly and enjoyably old-fashioned mystery investigation as Mara quietly but conscientiously goes about her business of interviewing suspects and excavating motives. The setting is integral to the plot, and Harrison’s elegant style beautifully evokes the world of the Burren, not only in terms of its sights and sounds, but also its languid pace and its enduring traditions. Most intriguing of all, however, is the experience of a murder investigation conducted according to ancient Brehon law. All told, it’s a fascinating blend. – Declan BurkeFor the rest, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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