Late December. A sixteen-year- old girl is found dead on a train line. Detective Sergeant Lucy Black from the Public Protection Unit is called to identify the body. The murdered girl, Karen Hughes, having a father in prison and an alcoholic mother had no choice but to live in residential care and DS Black soon discovers the only clue to the girl’s movements are her mobile phone and social media - where her ‘friends’ may not be all they seem.Brian will be launching HURT at 7pm in Derry’s Verbal Arts Centre next Friday, November 1st, as part of the ‘Killer Books’ festival.
Meanwhile, Black is still haunted by Mary Quigg’s death in a house fire over a year ago. Her pain is then intensified when she finds Mary’s grave vandalised - Black is deeply upset and spurred on in her pledge to find the man she knows is responsible for the fire. But Lucy has to tread carefully: with a new DI to contend with, and her fractious mother, the Assistant Chief Constable, looking over her shoulder, she can’t afford to make a mistake...
The stunning sequel to the number one bestseller LITTLE GIRL LOST, HURT is a tense crime thriller about the abuse of power, and how the young and vulnerable can fall prey to those they should be able to trust.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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