On a cold December morning in 1841, a small boy is enticed away from his mother and his throat savagely cut. But when the people of Dublin learn why John Delahunt committed this vile crime, the outcry leaves no room for compassion. His fate is sealed, but this feckless Trinity College student and secret informer for the authorities in Dublin Castle seems neither to regret what he did nor fear his punishment. Sitting in Kilmainham Gaol in the days leading up to his execution, Delahunt tells his story in a final, deeply unsettling statement . . .
Set in Dublin in the middle of the turbulent nineteenth century, with hints of rebellion against the Crown in the air, THE CONVICTIONS OF JOHN DELAHUNT presents a colourful assortment of characters: carousing Trinity students, unscrupulous lowlifes, dissectionists, phrenologists, blackmailers, and sinister agents of Dublin Castle who are operating according to their own twisted rules.
Shot through with dark humour, THE CONVICTIONS OF JOHN DELAHUNT is a gripping portrait of one man’s duplicity, and is based on true events that convulsed Victorian Dublin and still seem shocking to us today.
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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