“I am very enthusiastic about this model and I think and hope it’s a way to get new writers out there. So surplus funds from this campaign will go towards developing the idea into what I think of as a publishing equivalent of a micro-brewery – releasing books by new writers and partially crowd-funding them by fully embracing social media. I don’t think of it as ‘charity’ in any way, but as a way of getting people excited about new works and essentially funding them by pre-ordering copies. Even if they’re only partially funded by this method it will help considerably towards gettingFor all the details, clickety-click here …
them into print.
“So I’m already talking to new authors, and I’m going to take a strong hand in shaping books and aiming them at particular markets. Initially I’m looking at children’s books in the 8-12 category because there are a number of ways of selling them (i.e., you’re not restricted to bookshops) but I hope to expand this into crime in the near future. Like I say, it’s a micro, one-man operation entirely dependent on the books being good, and the support of the general public.
“And because I’m a modest kind of a guy, I’m going to call it Bateman Books.”
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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