“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Wednesday, June 12, 2013

The Growth Economy

Journalist and non-fiction author Michael Clifford made his crime fiction debut last year with GHOST TOWN, and a very fine piece of work it was too. He returns this year with THE DEAL (Hachette Ireland), with the blurb elves wibbling thusly:
Karen Riney is a young woman desperate to put bad memories behind her and get back on her feet when she hits upon an idea to make fast money. In the depths of a recession, there’s no business like the grow house business. But getting her venture off the ground requires some assistance. Enter Paschal Nix, a Dublin crime lord with a fearsome reputation. Nix provides more than money for the deal by throwing in the services of out-of-work builder Kevin Wyman, who is up to his ears in hoc to Nix and grappling with serious personal problems. He also dispatches hitman-for-hire Dara Burns to keep an eye on the investment, a man who’s fiercely guarding his back in a world where life is cheap. All have their eyes on one prize: a quick killing. But as Karen Riney soon learns, when you’re in over your head, there’s no such thing as easy money. THE DEAL is a gripping, blind-siding tale of greed, revenge and the price of survival.
  I’ve yet to see a copy, but I’m reliably informed that THE DEAL is in the shops as we speak. If it’s on a par with GHOST TOWN, it will be one of the best Irish crime novels of the year.
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