“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Monday, April 22, 2013
Red Sky In Early Evening
Opening in Donegal in 1832, the novel follows land labourer Coll Coyle as he suffers the consequences of a single ill-judged act of rash violence. It’s a compelling tale, not least because of the power of the language, which put me in mind of Cormac McCarthy’s early work. There’s also a kind of epic, cinematic sweep to the events, which shouldn’t really be surprising – Paul Lynch was for many moons the film critic for the Sunday Tribune.
I know Paul, so you may want to take my opinion with a pinch of salt, but I think RED SKY is a terrific piece of work. I particularly liked the tone, which seems to be pitched somewhere between the bleak fatalism of noir and the Fate-hounded tales of classical Greek tragedy.
So there it is. RED SKY IN MORNING by Paul Lynch: it’s early days still, but I’d imagine it’ll be hailed as one of the most impressive Irish debuts of the year.
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