“She looked up at the terraced house, with the closed shutters and the big room at the end of the long unlit corridor where the man who smiled too much did his work. She climbed the steps and knocked on the door …”It is a crime novel? A spy novel? A literary offering that offers crime and / or spy novel tropes? Have we uncovered the Irish equivalent of Alan Furst and John Lawton? Hard to tell without so much as a jacket cover to guide our pointless guesswork, but it does sound like a fascinating prospect. As always, we’ll keep you posted …
Dublin 1934: Detective Stefan Gillespie arrests a German doctor and encounters Hannah Rosen, desperate to find her friend Susan, a Jewish woman who disappeared after a love affair with a Catholic priest. When the bodies of a man and woman are found buried in the Dublin mountains, Stefan becomes involved in a complex case that takes him, and Hannah, across Europe to Danzig. Stefan and Hannah are drawn together in an unfamiliar city where the Nazi Party are gaining power. But in their quest to uncover the truth of what happened to Susan, they find themselves in grave danger …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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