When Manda Ferguson falls out of an apartment window to her death, the story is on all the front pages. But then her death starts to have an effect on the living. Baz: the man accused of killing her has to decide whether or not to turn himself in. Maurice: the taxi driver who inadvertently helped Baz escape wrestles with whether he should mete out his own form of justice. Rachel: the failing election candidate who has to choose between giving up or speaking her mind. Michael: the priest who administered the last rites to Manda and who is finally forced to confront his true (dis)beliefs. Carol: a tabloid reporter on the verge of losing her job who begins to discover some curious gaps in her memory…Sounds like the good stuff, alright. Given the way Ireland has been screwed to the sticking-place over the last few years and betrayed by the formerly great and good, which has resulted in an erosion of faith, hope and trust in the kind of natural justice that underpins the crime novel, THE ANGEL OF THE STREETLAMPS should find itself pushing at an open door. I’ll keep you posted …
But the effect travels even further than these five intersecting stories when claims are made that Manda’s ‘spirit’ is appearing beneath lampposts. In an economically devastated Ireland, where people have lost faith in politics, in business or religion, each character strives to answer the question: when there’s nothing left to believe in, what can we believe?
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
No comments:
Post a Comment