Helen Walsh doesn’t believe in fear - it’s just a thing invented by men to get all the money and good jobs - and yet she’s sinking. Her work as a Private Investigator has dried up, her flat has been repossessed and now some old demons have resurfaced. Not least in the form of her charming but dodgy ex-boyfriend Jay Parker, who shows up with a missing persons case. Money is tight and Jay is awash with cash, so Helen is forced to take on the task of finding Wayne Diffney, the ‘Wacky One’ from boyband Laddz. Things ended messily with Jay. And she’s never going back there. Besides, she has a new boyfriend now, the very sexy detective Artie Devlin and it’s all going well. But the reappearance of Jay is stirring up all kinds of stuff she thought she’d left behind. Playing by her own rules, Helen is drawn into a dark and glamorous world, where her worst enemy is her own head and where increasingly the only person she feels connected to is Wayne, a man she’s never even met. Utterly compelling, moving and very very funny, THE MYSTERY OF MERCY CLOSE is unlike any novel you’ve ever read and Helen Walsh - courageous, vulnerable and wasp-tongued - is the perfect heroine for our times.So there you have it, folks. Is Marian Keyes about to become the Irish equivalent of Stieg Larsson and drag the rest of the Irish crime writers kicking, screaming and spitting cake-crumbs into the publishing stratosphere? Only time, that canary-type stool-pigeon, will tell …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
No comments:
Post a Comment