“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian

Tuesday, July 17, 2012

Doing His Eoin Thing

I had the great pleasure last week of sitting down with Eoin Colfer (right), to interview him on the occasion of the publication of the final chapter in the Artemis Fowl story, THE LAST GUARDIAN. He’s a lovely guy: funny and generous and self-deprecating, and entirely free of any unnecessary ego.
  That interview was published in the Irish Times on Saturday, and a very nice spread it was too. It opened as follows:
Forthright but quietly spoken, understated but unambiguous, Eoin Colfer, the self-deprecating creator of the Artemis Fowl phenomenon, is a bundle of contradictions, writes DECLAN BURKE

IT COMES AS no surprise to learn that William Goldman is one of Eoin Colfer’s favourite writers. “I think Marathon Man is one of the best thrillers ever written,” he says. “And Goldman also wrote The Princess Bride, which is one of the best fantasy books ever written. It’s amazing that the same guy wrote both, but he also wrote Butch Cassidy and the Sundance Kid.”
  Colfer is no slouch himself when it comes to dabbling in different genres. Whether it’s selling 20 million copies of the Artemis Fowl series of books, being shortlisted for the Los Angeles Times Book Prizes with his debut crime-fiction novel for adults, or collaborating on musical theatre before writing the sixth instalment in the “increasingly improbable” Hitchhiker’s Guide to the Galaxy series, Colfer has an endless fascination with new forms.
  If there is one constant in his work, it’s humour. “I find it very hard not to write humour,” he says. “I feel uncomfortable when no one is talking at a dinner table. I always feel like I’m the one who has to jump in and fill the gap. It was the same when I was writing plays. I was always worried when the audience was silent. Because I wasn’t getting the affirmation, maybe, that it was good. So I would invariably jam in as many jokes as I could. And it’s the same with the books. I’m just afraid that if people don’t laugh all the time they’re not enjoying themselves.”
  For the rest, clickety-click here


Peter Rozovsky said...

The last Artemis Fowl book is near the top of my list. And when does E.C.'s next "adult" crime novel hit the shelves?

Declan Burke said...

According to Mr Colfer, we can expect to see a sequel to Plugged in 2013. Good news, I think.

Cheers, Dec

Peter Rozovsky said...

Yes, good news.

You'll no doubt have heard that I never knew Colfer wrote YA fiction until I'd already read his "adult" story in Akashic's Dublin Noir collection. I never need any convincing that the man could write "adult" crime fiction.

And I put adult between inverted commas because I've much enjoyed the Artemis Fowl books and Half Moon Investigations as well.