The disturbing exploration of a previously unreported murder of a young boy by a Satan-worshipping teenager in 1970s Ireland … On a bright and sunny June afternoon, a seven-year-old boy was left in the care of his teenage neighbour. No one knew, or would even have dreamed of suspecting, that the teenager was a Satanist. The two went out to the fields to look for rabbits. The child was never seen alive again. For the first time, in THE BOY IN THE ATTIC, David Malone reveals the exact events of that summer day: how the youngster was lured to his death, how the teenager came to delve so deeply into the occult, and the nightmarish scene awaiting police when they entered the attic. But there is another disturbing question - how is it that this murder, which was easily one of the most shocking and horrific in living memory, was barely reported upon at all? Why have you never heard of the boy in the attic until now?Sounds like the devil, quite literally, is in the detail. For an extract from THE BOY IN THE ATTIC, clickety-click here …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
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