“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
Tuesday, October 11, 2011
“Ya Wanna Do It Here Or Down The Station, Punk?”: Tom Phelan
What crime novel would you most like to have written?
REBECCA by Daphne du Maurier. Written long before all the modern digital props became available to modern writers, this is a book to sink into a very soft mattress with and to be savoured for story, language, and ingenuity.
What fictional character would you most like to have been?
Jim Hawkins in TREASURE ISLAND [by Robert Louis Stevenson]. God, the excitement when I was twelve. Long John Silver, Billy Bones, Black Dog, Hispaniola, the sails, the wind in the rigging, pieces of eight, the map, all the very evil and terrifying pirates, the ever-present danger …
Who do you read for guilty pleasures?
Mystery novels. Once I begin one I do not put it down. They are a sinful distraction and should be banned. All mystery writers should be taken up in the Rapture along with their books.
Most satisfying writing moment?
Blocked, I decided to write out a joke I’d heard from a priest in an elevator in Mineola in New York. As I wrote, new characters appeared and the joke lasted for three chapters. By that time a story had taken shape, and it became my first published novel, IN THE SEASON OF THE DAISIES.
The best Irish crime novel is…?
I’ve spent my life being modest, supposedly because it’s a virtue. I’m 70 now and it’s time for me to commit the cardinal sin of pride. My latest novel, NAILER, of course, is the best Irish crime novel.
What Irish crime novel would make a great movie?
Again, let me take pleasure in a terrible sin. NAILER would make a great movie. I’m waiting for Godot to call me from Hollywood but he’s probably waiting for something to happen first.
Worst / best thing about being a writer?
Worst is the self-doubt (who out there gives a damn?). Best is when I read back over what I have written and cannot remember having written some of it, and it’s good.
The pitch for your next book is…?
After many years, two emigrants return to their native Irish village, one from India, one from the U.S. Both are insufferable elitists. The village people, always divided along religious lines, come together to conceal what befalls the two interlopers. The novel is called LIES.
Who are you reading right now?
THE FOURTH BOOK OF RABELAIS and THE BURDEN OF PROOF by Scott Turow. Rabelais for the language, the analogies, and his wonderful scatology; Turow to give me a break from mining Rabelais’s now (generally) forgotten 16th-century references.
God appears and says you can only write or read. Which would it be?
Read. All those wonderful books and so little time, as some basketball player said about blondes. I could read dozens of books a year, but it takes me at least a year to write one.
The three best words to describe your own writing are…?
Leaving myself vulnerable and naked to critics, I immodestly and trepidatiously declare that my own writing is funny, poetic, and unflinching.
Tom Phelan’s NAILER is published by Glanvil Press.
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