Dan Starkey, the ducking and diving hapless investigator, takes centre stage again in this brilliant new novel by the master of comic crime. Radio shock-jock and self-styled people’s champion Jack Caramac is used to courting controversy - but when his four-year-old son is kidnapped for just one hour, and then sent back with a warning note, he knows he may have finally gone too far. Jack has no choice but to turn to Dan Starkey for help. Recently chucked by his long-suffering wife Patricia, Dan has finally given up on journalism and is now providing a boutique, bespoke service for important people with difficult problems. Dan resolves to catch whoever kidnapped Jack’s son - and very soon finds himself in the middle of a violent feud between rival drug gangs, pursued by jealous husbands, unscrupulous property developers and vicious killers as the case spirals ever more out of his control ...Yep, it’s Bangor’s answer to … actually, scratch that. There’s no question in the world that might provide a logical, reasonable answer to the lunacy that is a Dan Starkey novel. Are we happy? Well, yes and no. It’s nice to know a Dan Starkey is on the way, but the book doesn’t hit the shelves until mid-October. Boo, etc. Still, NINE INCHES delayed is NINE INCHES increased, as our sainted Great Aunt Petunia always said …
“Declan Burke is his own genre. The Lammisters dazzles, beguiles and transcends. Virtuoso from start to finish.” – Eoin McNamee “This bourbon-smooth riot of jazz-age excess, high satire and Wodehouse flamboyance is a pitch-perfect bullseye of comic brilliance.” – Irish Independent Books of the Year 2019 “This rapid-fire novel deserves a place on any bookshelf that grants asylum to PG Wodehouse, Flann O’Brien or Kyril Bonfiglioli.” – Eoin Colfer, Guardian Best Books of the Year 2019 “The funniest book of the year.” – Sunday Independent “Declan Burke is one funny bastard. The Lammisters ... conducts a forensic analysis on the anatomy of a story.” – Liz Nugent “Burke’s exuberant prose takes centre stage … He plays with language like a jazz soloist stretching the boundaries of musical theory.” – Totally Dublin “A mega-meta smorgasbord of inventive language ... linguistic verve not just on every page but every line.” – Irish Times “Above all, The Lammisters gives the impression of a writer enjoying himself. And so, dear reader, should you.” – Sunday Times “A triumph of absurdity, which burlesques the literary canon from Shakespeare, Pope and Austen to Flann O’Brien … The Lammisters is very clever indeed.” – The Guardian
1 comment:
Yes, I am sure there are plenty of reasons to love Colin Bateman. It was interesting to listen to him during CrimeFest, and I suppose this one will also end up on that never-ending list.
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