Randall Haight has a secret: when he was a teenager, he and his friend killed a 14-year-old girl. Randall did his time and built a new life in the small Maine town of Pastor’s Bay, but somebody has discovered the truth about Randall. He is being tormented by anonymous messages, haunting reminders of his past crime, and he wants private detective Charlie Parker to make it stop. But another 14-year-old girl has gone missing, this time from Pastor’s Bay, and the missing girl’s family has its own secrets to protect. Now Parker must unravel a web of deceit involving the police, the FBI, a doomed mobster named Tommy Morris, and Randall Haight himself. Because Randall Haight is telling lies …Sounds like a cracker. Suddenly September seems a long, long way away …
Meanwhile, given my well-deserved reputation for reading way too much into far too little, it’s incumbent upon me to posit a theory about THE BURNING SOUL as a metaphor for Ireland’s economic collapse. If we say that Randall Haight represents the banks and their dirty secrets, for example, and the murdered 14-year-old girl the innocent Irish tax-payer, then perhaps our hero Charlie Parker is entering the financial labyrinth (aka the ‘web of deceit’) on our behalf to face down the demons, ultimately to emerge, bloodied but unbowed, to advise the government that the only way to deal with €100 billion debt placed on Ireland’s already buckling shoulders is to burn the soul-sucking bondholders to the floor, aka, the bonfire of the inanities.
Too much? Erm, yes. But again, at the risk of reading too much into such things, it’s interesting to take a look at the titles of recent and forthcoming Irish crime titles in the context of all that has happened here over the last 12 months or so. To wit: THE BURNING SOUL (John Connolly); THE BURNING (Jane Casey); THE RAGE (Gene Kerrigan); THE FATAL TOUCH (Conor Fitzgerald); FALLING GLASS (Adrian McKinty); PLUGGED (Eoin Colfer); TAKEN (Niamh O’Connor); BLOODLAND (Alan Glynn); STOLEN SOULS (Stuart Neville); BROKEN HARBOUR (Tana French); LITTLE GIRL LOST (Brian McGilloway).
Now, not all of those novels are even set in Ireland, and to the best of my knowledge, none of them explicitly deal with how Irish people are being punished for the sins of profligate European bankers. Still, there’s a lot of broken, bloody, lost, burning, angry souls in there …
8 comments:
What a great cover. Very pagan-looking!
Dec
Falling Glass has a strangely similar cover. That stuff happens all the time though.
More importantly the casus belli of the book is the collapse of the Irish housing market...
0i! Bateman's 'Nine Inches'. The jacket is up at Amaz0n.
Robert - Indeed it is very pagan-looking - a very suggestive cover.
Adrian - None of your fancy-dan Latin here, squire, if you don't mind. That kind of malarkey could kick off a right shindig - oh.
Colin - Couldn't work out how to incorporate Nine Inches into the sad saga of Ireland's woes - unless you're suggesting that we're all getting a royal shafting?
Cheers, Dec
Darn it, I wish I was as smart as Declan Burke. That Bateman, eh? He'd muscle in on a child's funeral. 'Nine Inches', Bateman? Are you sure? That can't be right. You'd need special trousers made . . .
Darn it, I wish I had a fraction of John Connolly's sales.
As for having a fraction of Colin Bateman's 'Nine Inches', well ...
Cheers, Dec
Yes, very Whicker Man. I remember Britt Ekland getting all weird in that. And the man with three wooden heads being, well, wooden.
Feel like I should say something about the 22.5 cm thing - didn't one of Colin's books have the giant watsit refund scam? Which one was that? There's so many.
awesome post... will help me a lot,it is Exactly what I was looking for! Thanks.
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